The lifting of restrictions in England was repeatedly hailed as “Freedom Day” by those inside the government – and in the live performance industry.
For the first time for the best part of 18 months, English theatres, gig venues and clubs could pack people into their rooms with no legal requirement for them to wear masks or socially distance.
But the chaos set in almost immediately – with a day of celebration for some becoming a day of confusion and heartbreak for others.
Image: Cinderella, played by Carrie Hope Fletcher, will not be going to the ball – yet. Pic: Tristram Kenton
Lord Andrew Lloyd Webber, one of the biggest proponents of getting theatres open, had to shutter his brand new show Cinderella, after just one case of coronavirus in the 35-strong cast last weekend.
The “pingdemic” had taken down the West End’s biggest impresario before he had chance to formally show off his new multimillion pound body of work.
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It was of course a feat (and a risk) in itself to debut a big musical during a global health crisis and in an impassioned news conference at his theatre, Lord Lloyd Webber laid the blame at the front door of Number 10, saying the current system of isolation has brought his beloved industry “to its knees”.
Speaking to Sky News on Thursday, the peer said that he believes that vaccine passports could be the future of trying to solve this problem and testing will become common place in his theatres – but that may not solve the issue of isolating casts.
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After falling through the trap door, Cinderella will continue previews on the 18 August before opening fully on 25 August – likely in the hope that COVID-19 cases start to decrease across the country and lessen the threat for his show.
But it wasn’t just Lord Lloyd Webber who has been affected by the dreaded COVID app alerts.
Kenneth Branagh’s production of The Browning Version at the Riverside Studios in Hammersmith was shelved after an “increasing number of COVID-enforced absences” during rehearsals, meaning the mixture of self-isolating individuals and those who caught the virus meant it was left with no time to get the show on stage.
And on Friday, the Young Vic put out a statement saying “We’ve been pinged”, announcing that its first preview of Changing Destiny had been pushed back until the following week due to isolation requirements.
However, Hairspray, which had to pause for more than a week after cast members were forced to isolate, has employed a clever tactic to avoid any more disruption – hiring more staff.
The ’60s musical has taken on a new set of cast members who will not head to the theatre unless they’re needed, meaning if one member of the team tests positive and takes out everyone else – the show can still run with its backup, yet still very talented, cast.
It wasn’t just the West End that had its COVID bubble burst either – the touring production of the ever-popular Six had to skip its stop in Hull when some cast members tested positive, forcing the entire company into isolation.
Even the local theatre in Babbacombe in Devon had to cancel a week of shows, after the cast of its summer show were told to isolate.
TV and film productions that were shooting in various parts of the UK were also haltedlast week with Netflix’s Bridgerton shutting down filming for its second season for the second time, while the streamer’s version of Matilda The Musical also had to partially pause its project – both because of COVID and self-isolation.
And even the Targaryens couldn’t avoid the pandemic, with HBO’s Game Of Thrones spin-off House Of The Dragon also shutting down for a few days after a positive test.
But for some there was elation at the new lack of restrictions.
Image: The Royal Albert Hall burst back to life – but its auditorium was not completely full
A number of venues hailed their new-found freedom by, cautiously, opening their auditoriums to as many people as possible – with plenty of West End and local productions finding their way on stage.
At the Royal Albert Hall on Wednesday, there was an explosion of song and dance as nearly 200 people got on stage to take part in a Best Of The West End show – featuring the likes of West End giants Mica Paris, John Owen Jones and Ben Forster.
I was lucky enough to be invited to watch and while the show was exciting and, in some parts, emotional, the arena wasn’t full – a reminder that while restrictions have been legally lifted, not everyone is rushing back to venues.
With only a small let-up in the rise in cases towards the end of the week, it could still be some time before the sector finds its feet – and we could still see more parts of the industry be forced into the wings.
Officers should focus on “tackling real crime and policing the streets”, Downing Street has said – after the Metropolitan Police announced it is no longer investigating non-crime hate incidents.
The announcement by Britain’s biggest force on Monday came after it emerged Father Ted creator Graham Linehan will face no further action after he was arrested at Heathrow Airport on suspicion of inciting violence over three posts he made on X about transgender issues.
Sir Keir Starmer’s spokesman said police forces will “get the clarity they need to keep our streets safe” when a review of non-crime hate incidents by the National Police Chiefs’ Council and College of Policing is published in December.
“The police should focus on tackling real crime and policing the streets,” he said.
“The home secretary has asked that this review be completed at pace, working with the National Police Chiefs’ Council and the College of Policing.
“We look forward to receiving its findings as soon as possible, so that the other forces get the clarity they need to keep our streets safe.”
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He said the government will “always work with police chiefs to make sure criminal law and guidance reflects the common-sense approach we all want to see in policing”.
After Linehan’s September arrest, Met Police Commissioner Sir Mark Rowley said officers were in “an impossible position” when dealing with statements made online.
Image: File pic: iStock
On Monday, a Met spokesperson said the commissioner had been “clear he doesn’t believe officers should be policing toxic culture war debates, with current laws and rules on inciting violence online leaving them in an impossible position”.
The force said the decision to no longer investigate non-crime hate incidents would now “provide clearer direction for officers, reduce ambiguity and enable them to focus on matters that meet the threshold for criminal investigations”.
Justice minister Sarah Sackman said it is “welcome news” the Met will now be focusing on crimes such as phone snatching, mugging, antisocial behaviour and violent crime.
Asked if other forces should follow the Met’s decision, she said: “I think that other forces need to make the decisions that are right for their communities.
“But I’m sure that communities up and down the country would want that renewed focus on violent crime, on antisocial behaviour, and on actual hate crime.”
The Met said it will still record non-crime hate incidents to use as “valuable pieces of intelligence to establish potential patterns of behaviour or criminality”.
Bob Vylan’s frontman has said he does not regret chanting “death, death to the IDF” at Glastonbury – and would do it again.
The outspoken punk duo sparked controversy with their performance at the festival in June, with the broadcast also leading to fierce criticism of the BBC.
But speaking on The Louis Theroux podcast, Bobby Vylan said he stood by the chant, adding: “I’d do it again tomorrow, twice on Sundays.”
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BBC bosses grilled over Masterchef, Bob Vylan and Gaza documentary
Vylan claimed this backlash is “minimal” compared with what the people of Palestine are going through – with many losing members of their family or forced to flee their homes.
He said: “If I have their support, they’re the people that I’m doing it for, they’re the people that I’m being vocal for, then what is there to regret. Oh, because I’ve upset some right-wing politician or some right-wing media?”
The musician revealed he was taken aback by the uproar caused by the chant, which was described by the prime minister as “appalling hate speech”.
Vylan added: “It wasn’t like we came off stage, and everybody was like (gasps). It’s just normal. We come off stage. It’s normal. Nobody thought anything. Nobody. Even staff at the BBC were like: ‘That was fantastic! We loved that!'”
A spokesperson at Mindhouse Productions – which was founded by Theroux and produces The Louis Theroux podcast – told Sky News: “Louis is a journalist with a long history of speaking to controversial figures who may divide opinion. We would suggest people watch or listen to the interview in its entirety to get the full context of the conversation.”
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Theroux asked Vylan what he meant by chanting “death to the IDF” – with the musician replying: “It’s so unimportant, and the response to it was so disproportionate.
“What is important is the conditions that exist to allow that chant to even take place on that stage. And I mean, the conditions that exist in Palestine. Where the Palestinian people are being killed at an alarming rate.”
He said he wanted an end to the oppression that the Palestinian people are facing – but argued chanting “end, end the IDF” wouldn’t have caught on because it doesn’t rhyme.
“We are there to entertain, we are there to play music,” Vylan added. “I am a lyricist. ‘Death, death to IDF’ rhymes. Perfect chant.”
He went on to reject claims that their set had contributed to a spike in antisemitic incidents that were reported a couple of days later.
“I don’t think I have created an unsafe atmosphere for the Jewish community. If there were large numbers of people going out and going like ‘Bob Vylan made me do this’. I might go, ‘oof, I’ve had a negative impact here’.”
Vylan’s conversation with Theroux was recorded on 1 October – before the Manchester synagogue attack, and prior to the ceasefire in Gaza coming into effect.
A security guard jailed for plotting to kidnap, rape and murder TV star Holly Willoughby has lost an appeal against his life sentence.
Gavin Plumb was sentenced to life with a minimum term of 16 years last year after being convicted of soliciting murder and encouraging or assisting others to rape and kidnap.
A trial at Chelmsford Crown Court heard that police found bottles of chloroform and an “abduction kit” with cable ties when officers raided the 38-year-old’s flat in Harlow, Essex.
Plumb’s kidnap plan involved attempting to “ambush” Willoughby at her family home, jurors heard.
Plumb argued in his defence that it was just online chat and fantasy.
Image: Police believed Plumb was an ‘imminent threat’ to Holly Willoughby. Pic: PA
He was caught after an undercover police officer in the US infiltrated an online group called Abduct Lovers.
He told the officer, who used the pseudonym David Nelson, that he was “definitely serious” about his plot to kidnap the former This Morning host, leaving him with the impression that there was an “imminent threat” to Willoughby.
Due to the officer’s concern over Plumb’s post, evidence was passed to the FBI, who then contacted police in the UK.
Willoughby, who asked for her victim personal statement to be private, waived her right to anonymity in connection with the charge against Plumb of assisting or encouraging rape.
This breaking news story is being updated and more details will be published shortly.