A shot of a rare underwater spawning that only takes place around a full moon once a year has been named as the winner of this year’s Wildlife Photographer Of The Year competition.
Judges said French underwater photographer and biologist Laurent Ballesta’s image, entitled Creation, has an “otherworldly beauty” and reveals a “fleeting moment of fascinating animal behaviour” that very few people have ever seen.
It has been selected as the winner of the Natural History Museum’s prestigious annual competition, now in its 57th year, from more than 50,000 entries from 95 countries.
Image: Creation by Laurent Ballesta – Wildlife Photographer Of The Year 2021 winner
Ballesta’s photograph captures camouflage groupers darting away from a milky cloud of eggs and sperm in Fakarava, French Polynesia. It was the result of returning to the lagoon every year for five years, diving day and night so as not to miss the annual spawning.
Writer and editor Rosamund Kidman Cox, chair of the judging panel, described the image as “surprising, energetic and intriguing” with “an otherworldly beauty”.
She added: “It also captures a magical moment – a truly explosive creation of life – leaving the tail-end of the exodus of eggs hanging for a moment like a symbolic question mark.”
Camouflage groupers are a vulnerable species threatened by overfishing, but in this area they are protected within a special biosphere reserve.
Natural History Museum director Dr Doug Gurr described Ballesta’s image as a “compelling reminder of what we stand to lose if we do not address humanity’s impact on our planet”, and said that “the protection provided to this endangered species by the biosphere reserve highlights the positive difference we can make”.
Image: Dome Home, by Vidyun R Hebba – Young Wildlife Photographer Of The Year 2021 winner
Elsewhere, 10-year old Vidyun R Hebbar was awarded the Young Wildlife Photographer of the Year 2021 award for Dome Home, a colourful image of a tent spider pictured near his home in the city of Bengaluru, in India, as a tuk-tuk passes by in the background.
Dr Natalie Cooper, a Natural History Museum researcher, said it was “a great reminder to look more closely at the small animals we live with every day, and to take your camera with you everywhere”.
The two overall winners were selected from 19 category winners, showcasing everything from stunning animal portraits to interesting behaviour, as well as photojournalism images and portfolios. Here are the 17 other category winners.
Grizzly Leftovers by Zack Clothier – Animals In Their Environment winner
US photographer Zack Clothier decided the remains of a bull elk in Montana provided the perfect spot to set up a camera trap to capture any interested animals passing by. But melted snow and fallen trees meant a challenging journey back to the scene, and when the photographer did return his set-up had been ruined. However, this surprising shot of a grizzly bear turned out to be his last frame.
Reflection by Majed Ali – Animal Portrait winner, and Bedazzled by Alex Mustard – Natural Artistry winner
Majed Ali, from Kuwait, trekked for hours to find Kibande, an almost-40-year-old mountain gorilla, but it was worth it to get this snap of the ape closing its eyes in the rain, seemingly enjoying the shower. Mountain gorillas are found at altitudes of over 1,400 metres in two isolated populations – at the Virunga volcanoes in Rwanda and in Bwindi, Uganda – and are endangered due to habitat loss, disease, poaching and disruption caused by human activity.
UK photographer Alex Mustard’s image is of a juvenile ghost pipefish hiding among the arms of a feather star – its loud colours signify that it had not long landed on the reef; its colour pattern would later have changed, enabling it to blend in.
Spinning The Cradle by Gil Wizen – Behaviour: Invertebrates winner
Gil Wizen (Israel/ Canada) discovered this fishing spider under some loose bark in a forest near his home in southern Ontario, and managed to capture it stretching out silk to weave into its egg sac. “The action of the spinnerets reminded me of the movement of human fingers when weaving,” Wizen said.
The Intimate Touch by Shane Kalyn – Behaviour: Birds winner
This picture by Canadian photographer Shane Kalyn shows a raven courtship display captured in midwinter, the start of their breeding season. Lying on the frozen ground, he watched as the couple exchanged gifts – moss, twigs and small stones – and preened and serenaded each other before coming together for the perfect picture.
Head To Head by Stefano Unterthiner – Behaviour: Animals winner
Stefano Unterthiner, from Italy, followed these Svalbard reindeer during rutting season and caught these two battling for control of a harem, clashing antlers until the dominant male chased his rival away. Reindeer populations in the Arctic are affected by climate change, as increased rainfall can freeze on the ground and prevent access to plants that would otherwise sit under soft snow.
Where The Giant Newts Breed by Joao Rodrigues – Behaviour: Amphibians and Reptiles winner
Joao Rodrigues, from Portugal, came across a pair of courting sharp-ribbed salamanders in a flooded forest – his first chance in five years to dive into the lake, which only emerges in winters of exceptionally heavy rainfall. He said he had a split second to adjust his camera settings and capture the moment before the newts swam away.
Nursery Meltdown by Jennifer Hayes – Oceans: The Bigger Picture winner
Following a storm, it took hours of searching by helicopter for US photographer Jennifer Hayes to find this fractured sea ice used as a birthing platform by harp seals. “It was a pulse of life that took your breath away,” she said of her image. Every autumn, harp seals migrate south from the Arctic to their breeding grounds, delaying births until the sea ice forms. But they depend on the ice – which means that future population numbers are likely to be affected by climate change.
Rich Reflections by Justin Gilligan – Plants And Fungi winner
Justin Gilligan, from Australia, created the reflection of a marine ranger among the seaweed for this striking photograph, taken at the world’s southernmost tropical reef. He said he wanted to show how careful human management helps preserve a vibrant seaweed jungle – and had just 40 minutes in which tide conditions were right to get his image.
The Spider Room by Gil Wizen – Urban Wildlife winner
A second winning spider shot for Wizen, who found this venomous Brazilian wandering spider hiding under his bed after noticing tiny spiders all over the room. Yikes. Rather than run away, he grabbed his camera to capture what is one of the world’s most venomous spiders, which is the size of a human hand.
Road To Ruin by Javier Lafuente – Wetlands: The Bigger Picture winner
Using a drone, Javier Lafuente, from Spain, captures the stark line of a road slicing through a wetland landscape, which is home to more than a hundred species of birds.
Elephant In The Room by Adam Oswell – Photojournalism winner
Adam Oswell, from Australia, said he was disturbed by this scene of zoo visitors watching a young elephant perform under water. Elephant tourism has increased across Asia and in Thailand there are now said to be more elephants in captivity than in the wild.
The Healing Touch by Brent Stirton – Photojournalist Story winner
Brent Stirton, from South Africa, profiled a rehabilitation centre caring for chimpanzees orphaned by the bushmeat trade in the Democratic Republic of the Congo. This image shows the director of the centre sitting with a newly rescued chimp she is slowly introducing to the others.
Cool Time by Martin Gregus – Rising Star Portfolio winner
This image by Martin Gregus (Canada/Slovakia) shows two female polar bears cooling off and playing in shallow waters around Hudson Bay in Canada. Captured with a drone, he said he felt the heart shape symbolises the apparent affection between the two animals and “the love we as people owe to the natural world”.
Face-Off by Angel Fitor – Portfolio Award winner
These cichlid fish might look like they’re having a kiss, but they’re actually fighting over a snail shell. Angel Fitor, from Spain, captured the pair in Lake Tanganyika, which is spread across Tanzania, the Democratic Republic of the Congo, Burundi and Zambia in Africa. Fitor monitored the lake bed for three weeks – and while this struggle was over in seconds, it was just long enough to get a winning shot.
Sunflower Songbird by Andrés Luis Dominguez Blanco – 11-14 Years winner
Enjoying itself sitting in the sunflowers on a warm afternoon is a melodious warbler bird. Andres Luis Dominguez Blanco, from Spain, managed to shoot “the king of its territory” from his hide set up in his father’s car.
High-Flying Jay by Lasse Kurkela – 15-17 Years winner
Image: Lasse Kurkela (Finland) watches a Siber
Lasse Kurkela, from Finland, used pieces of cheese to get Siberian jays accustomed to his remotely controlled camera and to encourage them to follow a particular flight path so he could get the exact shot he wanted – one of the birds high in the sky, tiny against the forest trees.
Some of the biggest names in music – including Coldplay, Dua Lipa and Radiohead – have urged the government to honour a pledge to cap ticket resale prices and shutout touts.
They have joined artists including The Cure’s Robert Smith, New Order, Mark Knopfler, Iron Maiden, PJ Harvey and this year’s Mercury Prize winner Sam Fender to sign a statement calling for a cap to “restore faith in the ticketing system” and “help democratise public access to the arts”.
Other signatories include the watchdog Which?, FanFair Alliance, O2, the Football Supporters’ Association and organisations representing the music and theatre industries, venues, managers, and ticket retailers.
In the statement, the coalition says new protections are needed to “help fix elements of the extortionate and pernicious secondary ticketing market that serve the interests of touts, whose exploitative practices are preventing genuine fans from accessing the music, theatre, and sports they love”.
Labour had promised in its manifesto to put a stop to concert-goers being scammed or priced out of events by touts using bots to buy tickets in bulk the moment they go on sale, which they can then sell on for huge mark-ups on secondary ticketing websites.
In government, the party again made that promise – but more than a year after it vowed action, and seven months since its consultation on the issue closed, there has been no clear indication of when new laws will be introduced.
Image: Restore faith in the ticketing system, or Something Just Like This. Pic: AP
Image: This year’s Mercury Prize winner Sam Fender has joined the coalition. Pic: PA
The campaign comes as a new investigation from Which? found prolific sellers in locations including Brazil, Dubai, Singapore, Spain, and the US hoovering up tickets for popular events in the UK before relisting them at vastly inflated prices on StubHub and Viagogo.
How much?!
Which? found Oasis tickets for Wembley shows listed for £3,498.85 on StubHub and £4,442 on Viagogo.
A seat for the Minnesota Vikings vs Cleveland Browns NFL clash at Tottenham Hotspur was listed for £3,568.39 on StubHub, while a Coldplay ticket, also for Wembley, was £814.52 on StubHub.
And a ticket for the All Points East festival in London’s Victoria Park, headlined by Raye, for £114,666 on Viagogo.
The watchdog found it was often difficult for buyers to establish the seller’s identity or to contact them – despite the Competition and Markets Authority securing a court order in 2018 requiring Viagogo to outline the identity of traders.
Image: This year’s Mercury Prize winner Sam Fender has joined the coalition. Pic: PA
And there’s more…
Which? also found evidence of speculative selling – when tickets are listed on secondary sites even though the seller has not bought them yet.
Tickets for a Busted vs McFly show in Glasgow, which were available through Ticketmaster – the original seller – were simultaneously being listed on StubHub and Viagogo at double the price.
Government to set out plans ‘shortly’
Which? consumer law expert Lisa Webb urged Prime Minster Sir Keir Starmer to commit to legislation.
A government spokeswoman said it is “fully committed to clamping down on touts,” had listened to comments in response to the consultation earlier this year, and would set out its plans “shortly”.
Police will take no further action over alleged chants at a Bob Vylan concert in London.
Met Police had launched an investigation after allegations the singer, real name Pascal Robinson-Foster, was heard in footage saying “death to the IDF (Israel Defence League)”.
The footage was filmed at a performance supporting Iggy Pop, 78, at Alexandra Palace in May.
In a video, Mr Robinson-Foster is also alleged to have said: “Death to every single IDF soldier out there as an agent of terror for Israel.”
But the Met Police confirmed they are closing the investigation following advice from the Crown Prosecution Service (CPS).
Image: The Glastonbury performance led to a police investigation. Pic: PA
‘No further action will be taken’
A spokesperson for the force said: “On Wednesday 2 July, officers became aware of footage that appeared to have been filmed at Alexandra Palace in London on 28 May. An investigation was launched into the language used in the footage.
“Early investigative advice was sought from the Crown Prosecution Service who considered a number of potential offences but determined that, based on the information and material available, there would likely be insufficient evidence to take the case forward.
“As a result, officers have decided that no further action will be taken. We recognise the concerns that the footage caused, particularly among many in London’s Jewish communities.
“It emerged during a period where we have seen a concerning rise in antisemitic hate crime.
“We continue to work closely with community representatives to understand those concerns, to ensure the safety and security of Jewish Londoners and to provide reassurance moving forward.”
It followed footage of Mr Robinson-Foster allegedly leading a chant of “death, death to the IDF” during a BBC live-streamed performance at Glastonbury Festival, in June earlier this year, leading to an investigation from Avon and Somerset Police.
A man, in his 30s, understood to be Mr Robinson-Foster, had voluntarily attended an interview on Monday in relation to the band’s Glastonbury performance, the force said.
Police added the individual was not arrested but an investigation is ongoing.
After the Glastonbury appearance, the group were dropped from a number of festivals.
Actor and director Samantha Morton has said councils who fail to prevent the deaths of children in care should face manslaughter charges.
Warning: This story contains references to suicide.
In a powerful interview with Sky News, the Oscar-nominated, BAFTA-winning actor and director, who grew up in care, said Britain’s care system needs to be “completely rethought”.
It comes after a Sky News documentary, A Girl Called Nonita, told the story of 18-year-old Nonita Grabovskyte, who died in the care of the state following a catalogue of failures by those responsible for her care.
Nonita took her own life on railway tracks in December 2023, just two weeks after her birthday. She had previously told doctors and social workers that she intended to kill herself as soon as she turned 18. But nothing was done to prevent her death.
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44:43
Unseen: A girl called Nonita
“I was a child of the state, just like Nonita,” Morton told Sky News.
“I was put in care at birth until I got the letter to say I was no longer the council’s responsibility. I was kicked out at 16 and put into a homeless hostel.”
After spells of homelessness, she found a local TV actors’ workshop and managed to secure roles that would eventually lead to Hollywood.
But she says she has never forgotten her childhood, which saw her in and out of children’s homes and foster families.
“The lack of care historically is shocking,” she said. “But the lack of care today is worse. Back then, it felt like there was at least some comeuppance.
“The system now is not fit for purpose. It needs root and branch reform. It needs to be completely rethought.”
The young people who grew up in care who have died in England since 2020
2020: 40
2021: 30
2022: 60
2023: 90
2024: 80
Source: Department for Education
The data shows a sharp rise in deaths among care leavers – young adults who have aged out of the care system and are expected to live independently, often with little or no support.
The Department for Education only began collecting data for care leavers aged 22 to 25 in 2023, meaning the true scale of deaths over the past decade is likely to be far higher.
Morton says councils should be held more accountable for the deaths of children in their care, especially if local authority failings contributed to deaths.
Image: Pic: Invision/AP
‘State manslaughter’
“A failure to care has massive consequences,” she told Sky News. “And the consequences are that people like Nonita die. I believe that that is a kind of state manslaughter.
“And individuals who fail to do their job properly should be in a dock.”
Education Secretary Bridget Phillipson has told Sky News that deaths of care-experienced young people should “shame us all”.
All deaths of children in the care of the state must be reported to the government via the Child Safeguarding Incident Notification Scheme.
But there are doubts as to whether all deaths are being reported.
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Phillipson: ‘Nonita was failed on so many levels’
‘Shames us as a country’
Ms Phillipson told Sky News she has asked officials to urgently review the process to check for underreporting.
“I’m concerned about serious incident notifications – about making sure we’re receiving all notifications of such incidents taking place,” she said.
“Because it’s only if we know what’s happening, if we fully understand what’s going on in the lives of children, that we as a government, as a country, can provide the support they need.”
Ms Phillipson added: “It shames us all as a country that we so badly fail many of the most vulnerable children who’ve experienced such appalling trauma and abuse in their early lives.
“I read every single notification personally – and it always stays with you. Every case is a child or young person who deserved better.”
If you have been affected by any of the issues raised in this story, help, and support is available. You can call Samaritans free on 116 123 anytime day or night. You can also email jo@samaritans.org or visit www.samaritans.org to find support online.