Whatever the critics or the Royal Family might think about The Crown, you cannot avoid the fact that the reality of what happened in the 1990s is just as shocking as anything they could have made up.
That is what immediately hit me as I watched season five of the hit TV show.
The soap opera of what played out for the Windsors 30 years ago is still just as unbelievable as any of the fictional events or conversations they made up.
It’s all in there.
The collapse of Prince Charles and Diana’s marriage playing out publicly in such a grotty way through tell-all books and interviews, details of those tapes where Charles said he wanted to be Camilla’s tampon, three of the Queen’s children getting divorced, and discussion of those pictures of the Duchess of York sucking the toes of a lover.
The basics, what we know is true, are a dream for any scriptwriter.
You couldn’t make it up, but it all happened right at the heart of one of Britain’s most important and influential institutions.
There’s been outrage that such a painful part of the Royal Family’s history should have been made into entertainment, almost pantomime.
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I couldn’t help but think how ironic it is that newspapers and commentators who relished the scandal and the implosion of the Royal Family at the time are now so critical of the events being raked over again.
Image: Diana, played by Elizabeth Debicki, in the trailer for the fifth series of The Crown. Pic: Netflix
From the start you have a very clear villain.
Prince Charles is again portrayed as an uncaring cheating husband, but also this time shaped as a man desperate to get his hands on the crown, and setting up a rival court to compete with his mother.
It’s a narrative that couldn’t be put into the minds of the viewers at a more sensitive time as now, in real life, he settles into his life as King.
So far the settling in period has played out very well for him, with the King and his team getting the right balance between respectfully mourning the Queen and setting out his stall on how he wants to reign.
Can a TV programme really sway how people feel about his motives?
Don’t forget season four of The Crown did cause concerns for the palace, as it dragged up the Diana days, bringing that story to a younger demographic.
At the time one journalist who works for US magazines told me how it had played particularly badly with American audiences, making a visit by Charles and Camilla unimaginable.
The appearance of a young Prince William and Prince Harry makes it uncomfortable to watch at times.
Both have now spoken about the trauma of living through their parents’ break up and their mother’s death.
Image: Olivia Williams and Dominic West as Camilla and Prince Charles in The Crown. Pic: Netflix
The hoards of photographers and reporters you’ll see on screen following their every move were real to them, a reminder of why they felt hounded and are now doing everything they can to stop it happening to their families.
At points you can’t help but feel this walk down memory lane is also designed to be a commentary on how the institution is viewed now.
Such as the writers weaving in make-believe monologues from the likes of Charles, Andrew, Margaret and Anne to question the monarchy’s role and the way it functions as they all talk about the constraints of “the system”.
In one scene the actor playing Andrew explains how they’d been excited about Sarah Ferguson marrying into the family, talking about how newcomers “make us look all modern, normal, human”.
But he adds: “No one with any character or spark has a place in the system.”
You could say a less than veiled dig about Meghan and Harry’s experience within “the firm”.
Of course, all this comes just two months after the Queen’s death.
The programme could not feel more distinct from the glowing tributes that have flowed since she died.
There are moments that reflect on her sense of duty, her influence on the world stage, but you can’t escape that the 1990s was one of the most difficult periods of her reign.
While it may reflect badly on some of her living relatives, it is more positively a reminder of how remarkable it was that the Queen got things back on track.
During the 2000s she adapted to rebuild the monarchy’s reputation, and leave the overriding legacy of a much-loved monarch who rarely put a foot wrong.
It’s now her son, her other children and grandchildren who must face the added scrutiny that may come from The Crown, and more significantly deal with the other family issues that will undoubtedly come.
Season five of The Crown streams on Netflix from 9 November.
A huge fire has destroyed the main stage of a major festival in Belgium – two days before it was due to begin.
Tomorrowland is a dance music event as big as Glastonbury – and David Guetta was due to perform.
Footage showed flames and thick plumes of black smoke engulfing the stage and spreading to nearby woodland on Wednesday.
Image: The fire gutted the main stage
Image: Fire crews attempt to bring the blaze under control
The annual festival in the town of Boom, north of Brussels, is one of the biggest in Europe and attracts about 400,000 people over two consecutive weekends.
It is famous for its immersive and elaborate designs and attracts big names within dance music – including Guetta, best known for tracks When Love Takes Over and Titanium.
Dutch DJs Martin Garrix and Charlotte de Witte were also due to perform, along with the likes of Swedish House Mafia, Eric Prydz and Alok.
Image: Black smoke could be seen rising into the sky
The festival’s website described the creative elements which went into the elaborate main stage.
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The theme, described as Orbyz, was “set in a magical universe made entirely out of ice” and “full of mythical creatures”.
Organisers said no one was injured in the blaze but confirmed “our beloved main stage has been severely damaged”, adding they were “devastated”.
Spokesperson Debby Wilmsen added: “We received some truly terrible news today. A fire broke out on the Tomorrowland site … and our main stage was essentially destroyed there, which is truly awful.
“That’s a stage that took years to build, with so much love and passion. So I think a lot of people are devastated.”
Image: Spokesperson Debby Wilmsen told reporters ‘a lot of people are devastated’
Despite the fire, Tomorrowland organisers said they were still expecting 38,000 festivalgoers at DreamVille, the event’s campsite.
An American Idol TV executive and her husband have been found dead in their LA home.
Robin Kaye was a music supervisor on the long-running reality TV series.
The bodies of the 70-year-old and her husband Thomas were discovered after officers conducted a welfare check at their home.
Both had died from gunshot wounds.
Image: Robin Kaye and her husband Thomas. Pic: Facebook
Detectives say Raymond Boodarian has been arrested in connection with their deaths.
It is alleged the 22-year-old had burgled their property while they were away on 10 July – killing the couple upon their return.
According to Los Angeles Police, there were “no signs of forced entry or trouble” at the property.
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Ms Kaye was an industry veteran – and had previously worked on shows including Lip Sync Battle and The Singing Bee, as well as several Miss USA and Miss Universe pageants.
In a statement, an American Idol spokesperson said: “Robin has been a cornerstone of the Idol family since 2009 and was truly loved and respected by all who came in contact with her.
“Robin will remain in our hearts forever and we share our deepest sympathy with her family and friends during this difficult time.”
Huge steel fences have been erected to prevent ticketless fans from watching the Oasis reunion tour in Manchester.
Liam and Noel Gallagher will resume their sold-out run of shows – their first since 2009 – with a performance at Heaton Park tonight, and two more on Saturday and Sunday.
While tens of thousands bought tickets for Oasis’sfirst two shows last weekend, crowds gathered to glimpse the large screens above the stage in the distance – in an area dubbed “Gallagher Hill” by some on social media.
Image: People walk past a temporary security fence erected ahead of concerts by Oasis in Heaton Park on 1 July. Reuters file pic
Manchester City Council has now said more steel fences have been erected around parts of the park to prevent ticketless fans from watching the gigs, and to protect nature in the park.
“After taking stock of how the first two nights went, additional measures have now been deemed necessary and will be in place for the next three concerts,” it said.
“The erection of the fencing has a dual purpose – both to protect the environment from further damage and to dissuade people from gathering there.
“The necessary measure means the concert will no longer be visible from this area.”
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Friday: Excited fans at Oasis homecoming gig
The fences will cover a large area of the hill within the park’s cattle field, which is being developed as a new woodland area with around 300 young trees planted.
The council added that there would be no facilities for people without a ticket, and said the event area is “double-walled with solid high security fencing all the way round”.
More than 2,000 event security staff and police officers will also be on duty around the site “to ensure both the safety and wellbeing of ticket-holders and that only those who have tickets access the concert”, it said.
John Hacking, the council’s executive member for employment, skills and leisure, also said in a statement that “unfortunately our hand has been forced in having to put these additional measures in place”.
He added: “Our advice to music fans who don’t have tickets for the concerts is to head into the city centre instead.
“The whole city is going all out to celebrate and help everyone have a good time.
“We’ve got some fantastic things going on with a real party atmosphere for everyone to enjoy, whether they’ve got tickets for the Oasis gigs or not.”