David Walliams apologises for sexually explicit and offensive remarks about Britain’s Got Talent contestants
David Walliams has apologised for “disrespectful” comments he made about Britain’s Got Talent (BGT) contestants while filming the reality show.
The 51-year-old comedian, actor and children’s author said in a statement: “I would like to apologise to the people I made disrespectful comments about during breaks in filming for Britain’s Got Talent in 2020.
“These were private conversations and – like most conversations with friends – were never intended to be shared. Nevertheless, I am sorry.”
The remarks are understood to have been both derogatory and sexually explicit, referring to one contestant as a “c***” and saying of another: “She thinks you want to f*** her, but you don’t”.
BGT judges Simon Cowell, Alesha Dixon, Amanda Holden and Walliams, with Ant & Dec in 2019
The comments were part of a leaked transcript, seen by The Guardian, which was from a recorded audition show at the London Palladium in January 2020.
Walliams has been a judge on the show since 2012, along with fellow judges Simon Cowell, Amanda Holden and Alesha Dixon.
There has been no implication that any of the other judges made inappropriate comments about contestants.
Walliams’ remarks were the only inappropriate comments seen by The Guardian within the leaked transcripts, which covered three episodes of the show.
They are understood to have been picked up by the microphones on the judges’ desk at the centre of the auditorium.
Responding to the comments, creator of BGT Simon Cowell and his company Syco Entertainment said they did not condone Walliams’ remarks and made clear that Cowell had not been aware of the remarks at the time.
Walliams, who has been named best judge at the National Television Awards three times during his 10-year stint on the show, has frequently been praised for his chemistry with Cowell.
Thames TV, the production company behind Britain’s Got Talent, said in a statement to Sky News: “Although relating to a private conversation almost three years ago, the language used was inappropriate.
“Even though it was private, those involved have been spoken to and reminded of their responsibilities and the show’s expectations as to future professional conduct.”
Thames are also understood to have provided training for their on-screen judges over the last few years, dealing with issues of language and respect around contestants and members of the public.
A spokesperson for ITV said: “We do not condone the language outlined in these allegations, and we have spoken to the producers of Britain’s Got Talent.
“Duty of care towards all participants on any of our programmes is always of paramount importance and we have protocols and guidelines in place for all our production partners.”
ITV has been under the spotlight in recent years, with questions asked over the channel’s duty of care to contestants following the death of Jeremy Kyle Show participant Steve Diamond a week after appearing on the talk show, and the deaths of two former Love Island contestants, Sophie Gradon and Mike Thalassitis, who both took their own lives.
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John David Washington says he felt like he had to conceal his desire to act because of the external expectations of him being the child of Denzel and Pauletta Washington.
He tells Sky News it took some time for him to pursue an acting career, choosing football instead to assert his “independence” and create his own “identity” separate from his famous family.
“I’ve been wanting to do this my whole life… but I was hiding it,” he said.
“I had to conceal that passion based on my relationship to the world and more specifically, my folks being in the industry, so I chose ball.
“I loved ball, but I was sort of hiding my love for the arts under a helmet – literally an American football helmet – and so when I wanted to become an actor, when I decided to pursue it, that was a big shock to some people.”
The 40-year-old actor says when he decided to pursue an acting career, he kept the decision quiet.
“Some people didn’t know I was even pursuing it professionally until I got a job,” he said.
John David with fellow actor Danielle Deadwyler. Pic: David Lee/ Netflix
Since switching to acting, John David has starred in a number of notable roles including the protagonist in Christopher Nolan’s Tenet, Ron Stallworth in BlacKkKlansman and Joshua in The Creator.
He also led the stage revival of the 2022 Tony-nominated play The Piano Lesson on Broadway alongside Samuel L Jackson.
“He [Jackson] originated the role [I play] in 1987 at Yale with Lloyd Richards and August Wilson,” John David said.
“So it was of great importance for us to learn from both he and Michael Potts about August Wilson. It was a great blessing for me, I think, for all of us to have him present on set.”
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The Piano Lesson is the third August Wilson play to be adapted for the screen by Denzel Washington’s production company Mundy Lane Entertainment.
It is part of a pledge made by the Gladiator II actor to make all 10 of the playwright’s works into films.
The Netflix project is directed by another Washington family member, Malcolm, and stars most of the cast from the Broadway revival.
The Piano Lesson is Malcolm Washington’s directorial debut. Pic: Katia Washington/ Netflix
Set in 1936 Pittsburgh in the aftermath of the Great Depression, the film centres on a family heirloom, a piano, that is etched with the carvings of their family history made by their enslaved ancestor.
Malcolm says he started reading the play for the first time during the pandemic and immediately wanted to be involved in the film adaptation.
“I think with this movie, reclamation of story and identity is so central to the theme and it’s something that’s central to my life where I both acknowledge the fertile ground that I was raised on and who I am today.
“That’s what Wining Boy [played by Michael Potts] really is trying to do, he’s trying to build on that legacy, so that’s a story that really resonated with me.”
The filmmaker added: “I take all the gifts that my ancestors laid in front of me, and I’m trying to build something for the next generation to pass down – all of their gifts, plus mine to the next generation and let them build on it.”
Malcolm has dedicated his directorial debut to his mother, Pauletta Washington. Pic: David Lee/Netflix
Malcolm says his goal was to put family at the forefront of the production. By dedicating his feature debut to “Mama”, he is acknowledging the dedication and sacrifices that mothers make for the growth of their families.
“There’s so much pointing to my mother in particular, who inspired this adaptation so much. I see so much of her life in Berniece’s character [played by Danielle Deadwyler] – and that became a guiding light for me in this adaptation,” he said.
“As we made this thing and started reconnecting with our ancestors, my mum became like a kind of representative of them.
“She’s the matriarch of our family. She tells me about my grandparents and great-grandparents and the line that I come from, and I see them in her.
“And when the movie ends, I want people to kind of have that moment of reflection for their own lives. So in dedicating it to her, I was trying to dedicate it to all mums everywhere.”
The Piano Lesson is now available on Netflix.
Blockbuster Wicked has landed the largest opening weekend of 2024 at Vue International.
The film, starring Oscar-nominated actress Cynthia Erivo and Grammy-winning pop star Ariana Grande as Elphaba and Glinda, surpassed both Gladiator II and Paddington In Peru.
It has also had the largest opening weekend for a stage musical adaptation in the cinema chain’s history.
A boss for Vue International said it had seen a “sea of pink and green” over the weekend.
Ariana Grande (left) as Glinda and Cynthia Erivo as Elphaba in the film. Pic: PA
Pic: PA
Pic: PA
Released on Friday, Wicked is up 60% on Les Miserables’ opening weekend in 2012 and three times larger than the 2022 film adaptation of Matilda.
Founder and chief executive of Vue International Tim Richards said: “Vue has seen a sea of pink and green over the opening weekend of Wicked, which has shown continued high demand for the big screen experience.
“We saw record-breaking pre-sales for Wicked, followed by a chart-topping opening weekend – the biggest for 2024.”
The film is the first of two parts, with the second expected in November next year.
Wicked and Gladiator II – known together as Glicked – have reportedly failed to beat out Barbenheimer, Barbie and Oppenheimer, in its own opening weekend last summer.
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Glicked brought in £215m in worldwide ticket sales – with Wicked making the majority of that.
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