Britney Spears in her own words: The star finally has her say in The Woman In Me

Published

2 years ago

October 24, 2023

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For all the noise that has surrounded Britney Spears, little has ever come from the star herself.

Ever since Baby One More Time announced her arrival as a superstar at the age of 16, Spears has made headlines: her appearance, her sex life, her break-ups, her breakdown – every movement scrutinised, analysed, objectified, criticised.

Paparazzi photographers followed her like an “army of zombies” and for 13 years she lived under a conservatorship that controlled her life.

She was one of the biggest stars on the planet but could not make her own choices – from trainers to boyfriends, it was all vetted.

Now, after being freed from her conservatorship following much-publicised legal proceedings in 2021 – and the #FreeBritney campaign from fans – Spears is telling her story in her own words, in the memoir The Woman In Me.

The title is significant, referencing a lyric from the song Not A Girl, Not Yet A Woman, released earlyish in her career from her third album, Britney, in 2002: “I’m not a girl, don’t tell me what to believe… I’m just tryin’ to find the woman in me.”

Spears was just 20 when the song was released. Sexualised from a young age, at the same time shamed and criticised about her womanhood, she could not win. As she puts it: “No one could seem to think of me as both sexy and capable, or talented and hot. If I was sexy, they seemed to think I must be stupid. If I was hot, I couldn’t possibly be talented.”

And then, after she became a mother – all she had ever wanted – she was placed under the conservatorship, with her father Jamie and others in charge. Under this legal arrangement, she became “a sort of child-robot”, she says. “I had been so infantilised that I was losing pieces of what made me feel like myself… the conservatorship stripped me of my womanhood, made me into a child.”

The Woman In Me is a short memoir, less than 300 pages. Spears’s storytelling is straightforward, addressing aspects of her life, good and bad, matter-of-factly before moving on to the next. She doesn’t need to embellish – the facts are emotive enough.

‘There is so much freedom in being anonymous’

The star begins with her early life growing up in Kentwood, Louisiana, detailing a somewhat difficult childhood due to her parents fighting and father Jamie’s drinking. She was drinking and smoking by the age of 13, she says, and started driving at that age, too.

As she details her rise to fame, it is clear how underestimated she was from the start. As many who were involved in her career and the Baby One More Time video have previously said, the idea for the bored schoolgirl and her classmates dancing in the corridors – a huge part of the song’s success – was all hers.

Back then, she “had nothing to lose”, she says. “There is so much freedom in being anonymous.”

Once that song was out in the world, her life, her freedom, would never be the same again.

Spears goes on to describe her relationship with fellow Mickey Mouse club protege Justin Timberlake, describing their romance and claiming he cheated on her, but says she “let it all go”, eventually also cheating on him. Perhaps the biggest revelation from the book, that she had an abortion during their relationship, was previewed before its release. To Spears, the pregnancy wasn’t a “tragedy”, she says, but Timberlake said they weren’t ready.

When they broke up in 2002 they were a couple barely out of their teens – a difficult time in anyone’s life, let alone under the glare of paparazzi flashes and tabloid headlines. He dumped her by text message, she says. She details her hurt, but also defends Timberlake about another aspect of their break-up that he has since been publicly criticised for – admitting to an interviewer that they had slept together, despite her being marketed as “an eternal virgin”.

Timberlake is yet to comment on Spears’s memoir, but has previously apologised for his comments on their sex life. But the star says of this: “Was I mad at being ‘outed’ by him as sexually active? No. To be honest with you, I liked that Justin said that. Why did my managers work so hard to claim I was some kind of young-girl virgin even into my 20s. Whose business was it if I’d had sex or not?”

Spears says she started to increasingly suffer anxiety as she made headlines whatever she did. What happened in the years that followed has been well-documented: her 55-hour Las Vegas marriage to childhood friend Jason Alexander; her marriage to dancer Keven Federline later that year and the subsequent birth of her two sons, and then the struggles she faced after their split amid a custody battle. She suffered perinatal depression, she says, as her “vulnerable” babies were placed in “the world of jockeying paparazzi and tabloids”.

When it became too much, she famously shaved her head. This was her “f*** you” to the world, to everyone who wanted her to be the beautiful good girl, the pop princess puppet.

Not long after this, plans for the conservatorship were put in place.

#FreeBritney: ‘I’ve been through too much’

Spears says she started attempts to free herself from the legal arrangement in 2014. Hearings took place in private, but as the #FreeBritney movement grew and a documentary was released about it early in 2021, the world became aware that something wasn’t right. Then, in June 2021, Spears finally had her say in open court, giving a four-page statement over 20 minutes, telling the judge: “I want my life back.”

Five months later, the order was lifted. Since then, Spears has gone through a miscarriage, married and subsequently split from Sam Asghari. Fans now hear from her through her Instagram page, on which she shares dancing videos and often naked or semi-naked pictures or clips.

Concerns for her welfare have been raised about her posts, but as she explains in the book: “I know that a lot of people don’t understand why I love taking pictures of myself naked or in new dresses… I think if they’d been photographed by other people thousands of times, prodded and posed for other people’s approval, they’d understand that I get a lot of joy from posing the way I feel sexy and taking my own picture.”

Instagram aside, The Woman In Me is the first chance to hear about all of these much-covered ups and downs of her life in in Spears’s own words. She is honest about her flaws – that she was never good at fame, that she did occasionally take prescription drugs, she did cheat – but it is clear she was let down by so many. There is an undercurrent of anger: at the industry, the men who wronged her, her family, all those who made money out of Brand Britney while she was suffering.

Like many child stars before her, Spears has not experienced a normal transition into adulthood. At least now, hopefully, she gets to call the shots. Her book gives her the chance to have her say, but she doesn’t want to look back and reflect on the what ifs.

“It’s difficult for me to revisit this darkest chapter of my life and to think about what might have been different if I’d pushed back harder then,” she says of the conservatorship. “I don’t at all like to think about that… I can’t afford to, honestly. I’ve been through too much.”

Entertainment

Christina Aguilera on bringing Burlesque to the stage and her rise to fame

Published

4 mins ago

July 22, 2025

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Christina Aguilera on bringing Burlesque to the stage and her rise to fame

Christina Aguilera has told Sky News it is “magical” to see her hit film Burlesque being brought to London’s West End – and also opened up about her rise to fame in the late 1990s.

The US star topped the US and UK charts with Genie In A Bottle in 1999, before finding an even bigger audience with her acclaimed album Stripped and hits including Dirrty, Beautiful and Fighter in the early 2000s.

In 2010, she starred in Burlesque alongside Cher, Julianne Hough and Stanley Tucci, and now, 15 years later, is a producer for the stage version of the show alongside the film’s original director and writer, Steven Antin.

Speaking ahead of the show’s gala night, Aguilera told Sky News presenter Leah Boleto she has enjoyed taking a backseat and seeing the fresh interpretation of her character – a small-town girl turned into a star.

“It’s just so beautiful to see the talent that’s on this stage and to absorb it and appreciate the fresh takes on things,” she said. “I love actually taking a step back and a backseat… it’s beautiful to see the reinvention.

“When you’re in it, you focus on the choreography, all these different elements, that being able to take a backseat and being more of a visionary of the bigger picture, it’s really a special thing.”

Aguilera said she had been “blown away” by Jess Folley, who plays her character Ali in the show, and has fully embraced the “powerhouse vocals” as well as the vulnerability needed for the role.

“She just is doing such a magnificent, magnificent job and likewise inspires me as well,” she said.

Aguilera said she would love to see her film co-star Cher popping by to see the show in London.

“She’s always welcome to grace us with her incredible, iconic presence. And I’m just so grateful that I had the time to be with her. I mean, looking back, it’s just – did that even happen?”

Aguilera arrived on the scene at the same time as Britney Spears, at a time when young female pop stars were celebrated, sexualised and scrutinised.

After the success of her debut album, she took a different direction with Stripped – embracing her sexuality and famously taking on a less girlish image with chaps, a nose stud and black streaks in her hair for the Dirrty video, and opening up about her life and emotions through songs such as Fighter and Beautiful.

She also took on the patriarchy in Can’t Hold Us Down, a duet with Lil’ Kim, and performed on the hit cover of Lady Marmalade alongside Lil’ Kim, Maya and Pink for Moulin Rouge!

“I always want to stay true to authenticity,” she said. “And for me, with that first album it was wonderful to get my foot in the door…

“It’s important to me that I stepped out on my own and reflected all sides of me as a woman, embracing my sexuality and sensuality, and my body… Dirrty, I just loved those chaps and everything about that was just so fun and raw.”

So would she do it all again, then? Or would she prefer to be an artist starting out now?

“The ’90s, it was a pretty special time in music. And it was a time when you could still like go to Virgin records or like wherever and look at the CDs, look at the packaging. And, you know, sometimes the authenticity is missed.”

However, the good thing about social media now is that it has given stars the means to tell their own stories, she adds. “You have an opportunity now to really present yourself in ways that it’s not just about the music, to become more the narrator in real time… this is what it is like, be your own voice rather than reading about yourself in an article.”

But still, she wouldn’t swap. “It has to stay where it was.”

Burlesque The Musical is showing at The Savoy theatre in London now

Entertainment

Malcolm-Jamal Warner, who played The Cosby Show’s Theo, drowns in Costa Rica

Published

18 hours ago

July 21, 2025

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Malcolm-Jamal Warner, who played The Cosby Show's Theo, drowns in Costa Rica

Malcolm-Jamal Warner, who played The Cosby Show character Theo, has drowned in Costa Rica, according to authorities.

The country’s Judicial Investigation Department said the 54-year-old actor drowned on Sunday afternoon off a beach on the Caribbean coast.

It is understood he was swimming at Playa Grande de Cocles in Limon province when he was pulled underwater by a current.

“He was rescued by people on the beach,” according to the department’s early report, but emergency workers from Costa Rica’s Red Cross found him without any signs of life and he was taken to the morgue.

Warner was on holiday with his family at the time, according to US celebrity news site People.

The Cosby Show aired from 1984 to 1992 on NBC in the US and is regarded as a groundbreaking show for its portrayal of a successful black middle-class family. It was also shown on Channel 4 in the UK at around the same time.

Its star, Bill Cosby, played a doctor named Cliff Huxtable, with Warner in the role of Theo, his only son.

The NBC sitcom was the most popular show in America for much of its run between 1984 and 1992.

Warner played the role for eight seasons in all 197 episodes, winning an Emmy nomination for supporting actor in a comedy in 1986.

For many, the lasting image of the character, and of Warner, is of him wearing a badly-botched mock designer shirt sewn by his sister Denise, played by Lisa Bonet.

Warner ‘proud’ of show despite Cosby claims

The legacy of The Cosby Show has been tarnished after Cosby was jailed in 2018 following a conviction for sexual assault.

He was released in 2021 after his conviction was overturned.

Dozens of women had accused Cosby of sexual assault or rape before the trial.

Following his release from prison, Cosby was found liable for sexually assaulting a woman at the Playboy Mansion in 1975 when she was a teenager.

Warner told the Associated Press in 2015: “My biggest concern is when it comes to images of people of colour on television and film… We’ve always had ‘The Cosby Show’ to hold up against that. And the fact that we no longer have that, that’s the thing that saddens me the most because in a few generations the Huxtables will have been just a fairy tale.”

In 2023, Warner told People in an interview: “I know I can speak for all the cast when I say The Cosby Show is something that we are all still very proud of.”

Read more entertainment news:
Danny Dyer on Mr Big Stuff
Scuffle breaks out on Royal Opera House on stage

Warner wins a Grammy

Following his career on The Cosby Show, Warner later appeared on the sitcom Malcolm & Eddie, co-starring with comedian Eddie Griffin in the series on the UPN network from 1996 to 2000.

In the 2010s he starred opposite Tracee Ellis Ross as a family-blending couple for two seasons on the BET sitcom Read Between The Lines.

He also had a role as OJ Simpson’s friend Al Cowlings in American Crime Story and was a series regular on Fox’s The Resident.

Films he has appeared in include the 2008 rom-com Fool’s Gold with Matthew McConaughey and Kate Hudson.

A poet and a musician, Warner won a Grammy for best traditional R&B performance for the song Jesus Children with Robert Glasper and Lalah Hathaway. He was also nominated for best spoken word poetry album for Hiding In Plain View.

Warner was married with a daughter, but chose to not publicly disclose their names.

Entertainment

Danny Dyer on Mr Bigstuff, Oasis, and his surprising screensaver

Published

1 day ago

July 21, 2025

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Danny Dyer on Mr Bigstuff, Oasis, and his surprising screensaver

From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.

But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTA win – and one of the ceremony’s biggest cheers from the audience – earlier this year.

Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.

Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.

Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.

“Absolute legend,” he says.

Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.

“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”

Dyer reveals his screensaver

After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.

His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.

But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.

“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”

Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.

In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.

He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.

Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.

“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”

‘Love in the air’ at Oasis gig

But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.

“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.

“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”

Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW