The music video for The Beatles’ “final song” has been released – as Peter Jackson has revealed he was “very reluctant” to direct it.
The track, Now And Then, was released yesterday and features all four Beatles. Now the music video, directed by three-time Oscar winner Jackson, has given fans unseen footage of the legendary band’s early days.
Now And Then was initially written and recorded by John Lennon in the late 1970s and later developed by the other band members, including George Harrison, in 1995.
Limited technology meant they were unhappy with the sound quality and did not release the single.
However, new audio restoration technology, pioneered by Jackson, allowed Sir Paul McCartneyand Sir Ringo Starr to finish the song more than four decades after the first recording.
The song was released yesterday as a double A-side with a remastered version of the band’s 1962 debut single Love Me Do and cover art by US artist Ed Ruscha.
There have already been almost five million streams of the audio version of Now And Then on YouTube, with other fans listening on streaming sites like Spotify and Apple Music.
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Jackson revealed in a statement on The Beatles’ website that he was “very reluctant” to create the accompanying music video.
Image: Peter Jackson in 2019
“To be honest, just thinking about the responsibility of having to make a music video worthy of the last song The Beatles will ever release, produced a collection of anxieties almost too overwhelming to deal with,” he said.
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“My lifelong love of The Beatles collided into a wall of sheer terror at the thought of letting everyone down.
“This created intense insecurity in me, because I’d never made a music video before, and was not able to imagine how I could even begin to create one for a band that broke up over 50 years ago, had never actually performed the song, and had half of its members no longer with us.
“It was going to be far easier to do a runner.”
Image: The Beatles
Jackson said in the end it took him so long to “figure out a good reason for turning The Beatles down” that he “never actually agreed” to make it. He just got “swept along”.
“I knew The Beatles don’t take no for an answer if their minds are set on something.”
The filmmaker was supplied with “a few precious seconds of The Beatles performing in their leather suits, the earliest known film of The Beatles and never-seen-before”.
Image: Pic: Apple Corps LTD
The video shows the Beatles acting “relaxed, funny and rather candid” and Jackson hopes it will “bring a few tears to the eye”.
He also received more than 14 hours of footage from the 1995 recording sessions.
Jackson added: “Having got to the end, I’m very happy I’m not waiting for the release of somebody else’s Now And Then music video.
“I have genuine pride in what we made, and I’ll cherish that for years to come.”
Image: Paul McCartney, George Harrison and Ringo Starr developing Now And Then in 1995
The release of the music video comes as Beatles super fans queued overnight at a special launch event in Liverpool to get their hands on a vinyl copy of Now And Then.
And it was none other than John Lennon – a Beatles fan who changed his name by deed poll from Alan Williams in April 2022 – who bought the first copy of the newly released track in the early hours of Friday morning.
Next Friday, two albums – remastered and expanded versions of the 1962-66 and 1967-70 collections – will also be released.
Image: Beatles fan, John Lennon, who changed his name by deed poll from Alan Williams in April 2022, holds the first copy of Now And Then
Speaking in a documentary released on Friday about the recording of Now And Then, Sir Paul said: “How lucky was I to have those men in my life and to work with those men so intimately and to come up with such a body of music?
“To still be working on Beatles music in 2023 – wow.
“Now And Then, it’s probably like the last Beatles song. And we’ve all played on it, so it is a genuine Beatles recording.”
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.