• MLB analyst for ESPN and ESPN.com • Played nine major league seasons with the Cubs, Phillies and Rangers
No matter who you are, there are times and places in baseball when you wonder how you got there. Saturday’s Hall of Fame East-West Classic at Doubleday Field in Cooperstown, New York, was one of those times for me. Being a small part of the greatness collected on the field that day was humbling, and the events of the weekend swirled in my mind as I stepped into the batter’s box.
The last time I’d hit in any competitive landscape was 13 years ago in the same Doubleday Stadium. Only two of my four children were born then, which meant this was the first (and maybe last) time they’d get to see their dad play. In addition to my resurrected baseball equipment that I pulled from storage, I was carrying 10 more unshaped pounds and a graying beard.
A lot had led up to this moment. The work of two captains, CC Sabathia and Chris Young, and the National Baseball Hall of Fame and Museum inspired a reunion of dozens of former major league stars. They assembled us to honor and recreate the Negro Leagues’ All-Star Game, an annual event that took place in MLB ballparks at the pinnacle of independent Black baseball. It was also a celebration of the Hall of Fame’s newest exhibit, The Souls of the Game: Voices of Black Baseball.
Everyone on the East-West roster was a big leaguer, or at least had been at one point, and we were also family on this day, connected by our common experiences and the constructs of color and race.
From the moment I checked in at the luxurious Otesaga Resort Hotel on Friday, I could feel the escalating sense that I had been invited to a royal ball. Then I saw the royalty. The lobby was teeming with greats of the game’s past: Dave Winfield, Ferguson Jenkins, Jim Rice, Ryne Sandberg, Fred McGriff, Ozzie Smith.
I was told I needed to try on my uniform, provided by the Hall of Fame, to make sure it fit. I unfurled it in my room, bit by bit, wondering if the measurements I gave were accurate. Once I had it on, I took a picture to send to my family. It was a different me than I envisioned. I kept thinking, “I look more like a coach.”
But I would be one of 24 players. Tony Gwynn Jr. and I wondered together how hard we should play. Before the bus trip over to the Hall, all of us got together to exhale and laugh, and officially open the new exhibit. Hall of Fame president Josh Rawitch teased us about the sometimes faulty measurements we’d sent in for our uniform sizes, saying “some of you said you were size medium.”
Prince Fielder, known during his career for his power and size, replied, “Why are you all looking at me?” and the room broke out in laughter.
I might not be a size medium anymore, nor a Hall of Famer, but in the jaw-dropping awe of the exhibit’s opening it didn’t matter. The Hairston family was represented by Scott and Jerry Jr., whose grandfather, Sam, was a Triple Crown winner in the Negro Leagues. Fergie Jenkins was there to again honor his parents — his father, who could not rise in baseball due to his color, and his mother, who was blind. I worked on the committee that helped shape the new exhibit and I knew the tone that was set. This Hall of Souls was not about statistics, but humanity.
The red-carpet affair culminated with a ribbon-cutting ceremony. At one point, we all gathered for a picture. As I stood among the likes of Harold Baines, Ken Griffey Jr., Rollie Fingers, Jim Kaat, Joe Torre, Eddie Murray, Ozzie Smith, Lee Smith, Jenkins, McGriff, Rice, Sandberg and Winfield, I tweeted, “Did someone calculate the total Wins Above Replacement on that stage?”.
I also walked through the new exhibit for the first time. It’s a celebration of a Black experience that also provides a certain kind of armor, and an affirmation of the value and the impact Black baseball has had on the game we love. There was perseverance, dedication and the fight for equality. But there was also protection, unity and love. It allows us to point to the undeniably hard truths as we ran the bases of history, an antidote against dismissal of our trials with racism along the way. It is much harder to deny our experience when we have a shared story.
Documenting those stories — and initiatives just this week like adding Negro League marks to MLB’s leaderboards — builds a bridge to the past through the names we already know: Jackie Robinson, Roberto Clemente, Effa Manley. But more importantly, it’s a path to the many anonymous Black players who filled up rosters from coast to coast.
I particularly loved reading the published appeals made by many to demand equality. The words of Wendell Smith, a famed sports writer of the time, remind us that we were athletes but also advocates, in search of an ever-moving home plate.
On game day, we met to go over the lineups and took our spots 1 through 9 in the batting order.
I was batting ninth, as the designated hitter, which helped insure my 53-year-old body did not have to run too much. I listened to my teammates introduce themselves, and most had incredible baseball resumés. I had no All-Star Games or Gold Glove awards to speak of, so mine was left to my best season, when I hit .325 with 11 home runs. I wondered later what I should have added — my errorless streak to end my career, my hitting streaks in 1998, my stolen base success rate before the pitch clock?
But at game time, there was no turning back. We all were here and more importantly, we all deserved to be here. Fittingly, we had no names on our backs. We could not fit all of those who came before us on our jerseys, so we stood on their backs instead.
During the pregame festivities, the unforgettable conversations I’d been having ran through my mind. Getting ribbed by Sabathia for showing up with “so many bats.” Swapping stories with Murray over dinner. Mookie Wilson taking me back to a commercial I loved as a kid, when he was with the Mets. Being a part of this historic event was like jumping into a silent movie and finding out there are words being spoken, only no one else but us can hear them.
Just before first pitch, I thought of what poet Rowan Ricardo Phillips said during the ribbon-cutting ceremony about the listening required to hear the Black voices of baseball:
“And when you listen, you discover that chorus surrounds you like oxygen. Black baseball is literally everywhere.”
In its essence: Black baseball is like oxygen.
In many ways, the deep breath I normally take in the batter’s box felt freer this time. Maybe it was because I knew more about how I got into that box. It was palpable that I could share that revelation with a special kind of baseball family, some sitting in the stands, some suited up, who walked through the world in the uniform of darker skin.
In my first at-bat in the game, I executed my routine. I kicked my spikes into the dirt to set in motion my own personal baseball history — my nod to Mike Schmidt with a subtle tap of the outside corner of the plate.
I walked, and when I reached first, Fielder was standing there. I had played against his dad, Cecil. When we spoke, he said, “I know this is an exhibition, but it is so hard to turn it off.” “Impossible to turn it off,” I told him. (Even still, I didn’t try to steal second, though Tyson Ross was employing a high leg kick that I would have taken as an invitation in my younger days.)
But our competitive spirit was cooperative, just as the survival of the Negro Leagues depended on working together — as a business and as a community. At our East-West exhibition, I felt I had new teammates in time, where I am not alone in that batter’s box.
Fit for the drama, we were down 4-2 going into the bottom of the fifth inning. With two outs, up stepped Ryan Howard. He was a rookie in my last season with the Phillies, when I became an example for him of what happens when you age in this game. Years later, as his career was winding down, he told me: “Now I know how you felt when you got old.”
Now, we were all veterans. We were all making — and listening to — the sounds of the game, as we’d done for years or decades. And nothing is more undeniable than the crack of a bat on a well-struck baseball.
Howard’s made our dugout jump. “He got him,” I said.
And he had.
Exit velocity — unknown. Launch angle — who’s measuring? We knew by the senses we’d honed all of our lives.
The ball cleared the fence, giving us a 5-4 lead going into the last inning. We met at home plate to celebrate. (Most of us were too old to jump too high.)
It would turn out to be the winning swing, but we had already won the moment the first pitch was thrown.
When the game was over, I broke bread again with my teammates and our families. My family had seen me play — some for the first time, and possibly for the last — but I’d shared so much more than just at-bats. It was a day for history, honor, equality and the value of playing for something so much bigger than yourself.
Perhaps most of all, it was our tribute to the spirit of the game.
Later, back at the Hall, a fan came over to take a photo during an autograph session. She said this:
The Carolina Hurricanes have reached a three-year, $9.5 million extension with forward Taylor Hall through the 2027-28 season.
The team announced the signing Wednesday, a day after the Hurricanes closed out the New Jersey Devils in their first-round playoff series. It marked the seventh straight year that Carolina has won at least one postseason series.
Hall, 33, acquired in a blockbuster January deal that included Mikko Rantanen‘s arrival, scored the first of Carolina’s four second-period goals that helped it erase a 3-0 deficit before winning in double overtime. He’s a 15-year veteran who won the Hart Trophy as the NHL’s MVP in the 2017-18 season.
“Taylor has proven to be an outstanding fit for our team, and we are thrilled that he is excited to make Raleigh his home for another three seasons,” general manager Eric Tulsky said in a statement. “He’s been a solid veteran presence in the locker room and a difference maker on the ice.”
Hall had 18 goals and 24 assists in 77 regular-season games between Chicago and Carolina, and also had two assists in the five-game series win against New Jersey. He had missed most of the previous season due to knee surgery and was making $6 million this year with free agency looming, then led Carolina skaters with four power-play goals in the regular season after his arrival.
The Hurricanes acquired the 2010 No. 1 overall draft pick on Jan. 24 in the three-team deal that snagged Rantanen from Colorado, though they later sent Rantanen to Dallas with forward Logan Stankoven as the primary trade-deadline return when it became clear Rantanen was unlikely to sign long-term to stay with Carolina.
Hall and Tulsky are scheduled to address reporters by Zoom later Wednesday.
The award is presented annually to the most outstanding player in the NHL as voted by fellow members of the NHL Players’ Association.
MacKinnon, 29, tied Kucherov for the NHL assists lead with 84 and totaled 116 points this season. MacKinnon is the reigning Hart Trophy recipient as the league’s MVP.
Makar, 26, is a first-time finalist for this award and is also up for the Norris Trophy, which was announced Tuesday. He led all defensemen this season in goals (30), assists (62) and points (92).
Kucherov, 31, won his second straight Art Ross Trophy after leading the NHL in scoring with 121 points (37 goals, 84 assists).
Utah Hockey Club officials wouldn’t confirm whether “Mammoth” was their new name after it allegedly leaked on the team’s official YouTube channel Tuesday night.
Fans and media noticed that the channel’s handle was changed from “@UtahHockeyClub” to “@UtahMammoth,” on both its landing page and URL. The channel was soon deactivated and remained so on Wednesday morning, but not before screenshots of the name change went viral.
Utah Mammoth was one of three finalists featured in a fan vote at Delta Center to help determine the permanent name of the team, which played its inaugural season in 2024-25 after SEG purchased and relocated the former Arizona Coyotes franchise. Fans voted with iPads located at stations around the arena that featured the names, logos and potential branding for each option.
Originally, the three names voted on were Utah Mammoth, Utah Hockey Club and Utah Wasatch, which was quickly swapped out for Utah Outlaws after the team saw early vote returns.
Mammoth made the final four in the initial fan vote last year.
Utah HC executives wouldn’t confirm or deny that Mammoth will be the team’s new nickname.
Mike Maughan, an executive with Utah HC owner Smith Entertainment Group, said on Wednesday that “progress continues on exploring all three of the name options that were chosen as finalists by our fans. We’re fully on track to announce a permanent name and identity ahead of the 25-26 NHL season and look forward to sharing that with our fans when we do.”
When pressed for an explanation on the alleged YouTube leak, Maughan would only say, “We’re fully on track to announce a permanent name and identity ahead of the 25-26 NHL season.”
One NHL source told ESPN that the revelation for the team’s new name and logo could come before the NHL draft in late June. This year’s draft is a “decentralized” event, meaning that teams will be making selections from their own sites rather than in one central location. That opens the door for Utah to have an event in Salt Lake City with team officials around the draft.
In other Utah HC news, the team announced Wednesday that Delta Center, home to Utah HC and the Utah Jazz, will be undergoing a renovation to optimize hockey sightlines while maintaining the proximity of basketball fans to the court using a state-of-the-art retractable seating system. It’s a multiyear project that will also create a new main entrance and outdoor plaza.
The first-of-its-kind seating system accommodates a nearly 12-foot variance in elevation between rink and court endlines to offer optimal sightlines for both the NBA and NHL. Every seat in the lower bowl will have a complete view of the ice at the start of next season — the team estimates that 400 seats currently can only see one goal net during games.
The new hockey configuration adds capacity behind the goals and above and around the event tunnels on the north and south side of the lower bowl and improves access to seating behind the boards.
When all renovations are complete, seating capacity for hockey will increase from 11,131 to approximately 17,000 — with every seat in the upper and lower bowls having full views of both goals — and capacity for basketball will increase from 18,206 to nearly 19,000 seats.
“Delta Center was built for basketball. When you come and put the size of an ice sheet in that venue with those sight lines, the geometry just doesn’t work. So that’s where you come up with the riser system configuration. You come up with raising the floor 2 feet,” said Jim Olson, president of the Jazz and executive representing SEG on all facilities projects.
“We are absolutely protecting the basketball experience, but then also creating a great hockey experience where all the seats can see all the ice,” he said.