Behind James Vickery’s left ear is a tiny tattoo, barely noticeable until he turns to point it out.
The inking is of a mute icon, a small speaker with a cross next to it, as you would see on a computer or a phone when switching the volume off; a simple image that neatly symbolises the 27-year-old’s story.
In and out of hospital with ear infections as a child, he was eventually, at the age of eight, diagnosed with a growth of abnormal skin cells called a cholesteatoma. While the tumour wasn’t cancerous his case was severe, doctors said, and it was growing towards his brain; his parents were told that without treatment to remove his eardrum he might only have two months to live.
Surgery went well, but inevitably left Vickery completely deaf in that ear. Unable to distinguish the volume and pitch of his voice, he struggled with his speech and a vocal coach was brought in to help. It was through these sessions he found his voice; not just in conversation, but the distinctive, soulful singing voice that has now seen him hailed as a new face of UK R’n’B.
“[My parents] took me to a vocal coach and they wanted me to learn how to basically speak again,” he tells Sky News. “A good way is actually by singing because it engages your diaphragm. So we did that and my singing teacher was like, ‘you can sing, you can actually sing well’. I’d always loved singing but because of the trauma of the operation I could never do it.
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“I spoke so softly. I’m still quite softly spoken…” He pauses and grins. “Actually, no, I’m a bit gobby now, but I was quite softly spoken when I was a child. I was really unconfident because no one could ever hear me speak and so credit to my vocal coach, she really taught me how to not only speak louder, but become a bigger person, you know, really fill the room with your voice. That’s something I try and have now in my songs. All the singers I looked up to as a kid had big voices because I always wished I had one.”
Vickery’s coach was a trained opera singer so, perhaps unusually, that’s where he started. “As, like, an 11-year-old boy living in south London, that kind of wasn’t for me,” he laughs. He met brothers Howard and Guy Lawrence, better known as electronic duo Disclosure, while he was in college and began writing songs with them, before moving into R’n’B, which felt like the right fit.
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Upbeat and constantly smiling, there’s a sense of positivity and happiness that exudes from Vickery that even the often soulless Zoom can’t dampen. It’s hard not to smile back in his company. Going through such a traumatic experience at an early age has “100%, for sure” made him the person and the artist he is now, he says.
“I would have died,” he says, matter-of-factly. “It’s lucky they found it [when they did].” He goes on to explain the surgery. “I haven’t even got an ear drum in this ear, like, it’s just a black crater inside the left-hand side,” he says, swirling his hand around the area. “But that’s why I’ve got the tattoo, because I was like, not ashamed of it, but I don’t like people treating me different, I don’t like it to become this sob story. But at the end of the day, the older I get the more I think, you would not be the man you are today and it’s shaped me so much as a singer and a writer as well.”
The fact Vickery is “able to be a singer with one less ear than everyone else”, as he puts it, “is quite a mad thing”. And so the symbol has become a staple of all the artwork for his music. “I really try and own it, you know.”
Influenced by everyone from his mum’s favourites of soul, Motown, disco and R’n’B – artists such as Luther Vandross, Boyz II Men and Babyface – to his dad’s preferred rock and blues – Eric Clapton, The Doors, The Who, Jimi Hendrix – and his own love of attempting the Mariah Carey high notes, Vickery found his sound.
In 2018, he performed his song Until Morning for the COLORS music platform, which has now amassed more than 25 million views. In 2018 he signed a record deals with TH3RD BRAIN, followed by a publishing deal with Jay-Z’s Roc Nation in 2019.
His debut album, Songs That Made Me Feel, aims to do just that. “The way that people consume music is so passive now,” he says. “It’s so easily accessible but I think not enough people just sit down and let the music take over. That’s really what I tried to do… I just want to make a body of work that’s going to outlive me. I think I’ve done that.”
The record is “the journey of the last two years, for me”, he says. “I wanted to call it Songs That Made Me Feel is because I feel like, as a man growing up, men are taught not to show emotion, I think. You’re taught ‘man up’.” Men don’t talk about their feelings enough, he says. “I managed to be able to do that through song, luckily.”
Save You, the closing track on the album, might sound like a love song but is actually about a friend who died. “I left it quite open because I want people to interpret it in the way that they feel, I love doing that with songs. But the song is about a friend who died when I was younger and it was the first time I had someone that wasn’t like a family member die, who was close to me.”
Vickery has also written about struggling during the pandemic. Somewhere Out There was created during the first lockdown, when he was “living alone and really lonely… I was single and hoping that someone out there was feeling the same”. You Comfort Me was born from the “dark time” of the winter lockdown, when “I was just craving something to make me happy”.
Of all the industries that have been hit by the pandemic, he believes the live entertainment business is among the worst affected. Vickery is not “completely fresh” to making music but is in that “awkward” spot where he’s “by no means up there”, he says, gesturing above his head. He moves his hand down. “I’m hovering here somewhere.”
Which means it’s not been easy. “The way that the music industry runs now is that [live shows] are kind of the main source of income, no one makes that much money from streaming songs; unless you’re streaming hundreds of millions, then you’re going to make good money, but other than that, no. Thank God I signed a record deal the year before because otherwise I would have been really struggling.”
Fortunately, the deal was in place and the album is out now. Vickery says he hopes he adds another voice to highlight the UK’s new resurging R’n’B scene, which he feels is overlooked.
“The thing is the UK RnB scene is so, so good,” he says. “But God forbid you can ever turn on a radio and find an R’n’B song on in the daytime, you know. I feel like that’s going to change, though. There’s plenty of people like Jorja Smith and Mahalia who are really, really flying the flag for UK R’n’B, and I think that’s going to change hopefully in the future.”
With Vickery too, that change is surely closer. That tattoo behind his ear is just a small reminder of how much he can achieve.
UK music sales hit a 20-year high of £2.4bn in 2024, helped by pop megastar Taylor Swift’s latest album, and driven by streaming and the vinyl revival, figures show.
Revenues from recorded music reached an all-time high, more even than at the peak of the CD era, according to annual figures from the digital entertainment and retail association ERA.
Total consumer spending on recorded music – both subscriptions and purchases – topped the previous record of £2.2bn in 2001, ERA said.
Takings from streaming services including Spotify, YouTube Music, and Amazon rose by 7.8% to a little over £2bn.
Almost £200m was spent on vinyl albums, an annual uplift of 10.5%, while CD album revenues were flat at just over £126m.
Swift’s The Tortured Poets Department was the biggest-selling album of the year, aided by her record-smashing worldwide Eras tour.
More than 783,000 copies were bought, nearly 112,000 of them on vinyl – making it 2024’s biggest-selling vinyl album.
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The biggest single of the year was Noah Kahan’s Stick Season, generating the equivalent of 1.99 million sales.
ERA chief executive Kim Bayley said 2024 was “a banner year for music, with streaming and vinyl taking the sector to all-time-high records in both value and volume.
Ms Bayley called it the “stunning culmination of music’s comeback which has seen sales more than double since their low point in 2013. We can now say definitively – music is back.”
Music revenues grew by 7.4% in 2024, while video rose by 6.9%, and games fell by 4.4%, according to preliminary figures.
Subscriptions to Netflix, Amazon Prime Video and Apple TV grew by 8.3% to £4.5bn – almost 90% of the sector’s revenues.
Deadpool & Wolverine was the biggest-selling title of the year, with sales of 561,917 – more than 80% of them sold digitally.
Despite the games sector’s 4.4% decline last year, it remains nearly twice as large as the recorded music business.
Full game sales saw a drop-off with PC download-to-own down 5%, digital console games down 15% and boxed physical games down 35%, in favour of subscription models which grew by 12%.
EA Sports FC 25 – formerly known as Fifa was once again the biggest-selling game of the year, generating 2.9 million unit sales, 80% of them as digital formats.
In a statement released to the media, Parks And Recreation star Plaza, 40, said: “This is an unimaginable tragedy.
“We are deeply grateful to everyone who has offered support. Please respect our privacy during this time.”
Baena, a director and screenwriter, worked with Plaza on 2014 horror film Life After Beth and 2017 historical comedy The Little Hours.
The couple had been in a relationship since about 2011 and married in 2021.
Previously, Plaza told The Ellen DeGeneres Show she and Baena “got a little bored one night” during the COVID pandemic and decided to wed after celebrating their 10th anniversary.
She said after finding a wedding officiant online to perform the ceremony in their garden, she “created a very quick love altar in our yard” where they married.
Baena wrote 2020 thriller Horse Girl, starring Alison Brie, and 2022 dark comedy Spin Me Round, both of which he also directed.
He also co-wrote the 2004 comedy I Heart Huckabees alongside director David O Russell, which boasted a stacked cast that included Jude Law, Jason Schwartzman, Dustin Hoffman, Naomi Watts, Lily Tomlin and Mark Wahlberg.
Baena created the anthology comedy series Cinema Toast, which had an episode directed by Plaza and another starring Community actress Brie.
On X, Hollywood actor and comedian Marc Maron wrote: “Very sad about the tragic loss of a true artist and sweet guy.”
Sundance Film Festival, where Baena’s directorial debut Life After Beth premiered in 2014, wrote: “We extend our heartfelt thanks to Jeff Baena for sharing his stories and contributing to the lasting memories we’ve built together.
“Jeff, we’ll miss your wit, humour, and daring vision. Rest in peace, friend.”
Plaza had been announced as a presenter at Sunday’s Golden Globes ceremony earlier this week before her husband’s death.
Director Brady Corbet, who won best director for his film, The Brutalist, said in his acceptance speech: “My heart is with Aubrey Plaza and Jeff’s family.”
Plaza was nominated for a Golden Globe in 2023 for her role in the second series of HBO dark comedy White Lotus and is also known for Disney+ series Agatha All Along, and films including Megalopolis, My Old Ass, Ingrid Goes West, Dirty Grandpa and Emily The Criminal.
Los Angeles Police Department (LAPD) confirmed it attended the residence where Baena died and said a coroner will lead the investigation.
If you are in need of support, Samaritans run a helpline which is open day and night, 365 days a year, on 116 123. You can also email jo@samaritans.org, or visit samaritans.org to find your nearest branch.
RuPaul has said his “heart is broken” following the death of former Drag Race winner, The Vivienne.
The drag queen and TV presenter said on Instagram on Monday he joined the entire Drag Race universe in mourning the loss of The Vivienne, whom he called “an incredibly talented queen and a lovely human being”.
The Vivienne, whose real name was James Lee Williams, won the first series of RuPaul’s Drag Race UK in 2019.
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The 32-year-old’s death was confirmed by their publicist Simon Jones on Sunday evening.
Danny Beard, who won the reality show in 2022, called The Vivienne “a proper entertainer” and “one of the most passionate, talented, geeky, girls I’ve ever known” and their death meant “there’s a piece missing now”.
Cheddar Gorgeous, that year’s runner-up, said on Instagram they had lost “a peer, a friend and an icon”, adding that “the entire world of entertainment grieves” and it was “impossible to make sense of such sadness”.
Bagachipz said on social media they would “talk to you before I go onstage for every single show I do”, calling The Vivienne a “powerhouse when you hit that stage”.
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The Vivienne, 32, rose to prominence in 2015 after becoming the UK Drag Ambassador for the American series of RuPaul’s Drag Race.
The show sees drag queens competing in front of a panel of judges to become the next drag superstar.
The Vivienne, whose drag name came from their love of designer Vivienne Westwood, later competed in the first UK series of the show in 2019, going on to win it after lip-syncing in the final to the Wham! hit I’m Your Man.
Williams, who was born in Wales, also came third on the 2023 series of Dancing On Ice.
A spokesman for Cheshire Police said officers were called to a house in Chorlton-by-Backford, near Chester, at 12.22pm on Sunday following reports of a sudden death.
The force said there were “no suspicious circumstances”.