Virtual Glastonbury, a new album, and a slot at England’s first full festival in nearly two years – it’s been a busy few weeks for Wolf Alice.
Before heading to Suffolk to play Latitude Festival in front of 40,000 fans, the band of the moment spoke to Sky News and reflected on the recent months and the impact of the pandemic on their lives.
“It’s been very difficult not playing for the last 18 months – it’s such a huge part of our job and a huge part of our income stream and business. It’s how we survive,” guitarist Joff Oddie said.
Image: Wolf Alice won the Mercury Prize in 2018. Pic: Reuters
“And it’s what we’ve done for the last eight years of our adult life, so it’s a huge, huge deficit of all kinds of things.”
Bassist Theo Ellis said that despite playing Glastonbury’s virtual Live At Worthy Farm, it was gigs that the group missed.
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“We grew up playing gigs, we love playing gigs, it’s what we are 75% in this for, because we do so much of it, or we used to. So, yeah, it’s been weird and we’re looking forward to doing a proper one. And I’m also very scared.”
Talking about hitting the stage at Latitude this weekend, Ellis added: “We’re looking forward to going to a festival first and foremost, and being with people, because it’s going to be momentous, just because it’s happening.
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“And I think we’ve got bits and moments in the set that we’ve kind of had a lot of time to spend playing, that we really hope will kind of connect with people the way that we’ve crafted it a little bit to – and then backstage bars, or the one backstage bar there is.”
Their latest release, Blue Weekend, hit streaming services and record shops last month, and reached number one in the album charts.
Drummer Joel Amey says the response to the album has blown them away, adding: “I feel very, very grateful to have that kind of reaction to something that you put so much of yourself into.”
On the timing of the album and being able to perform it live, singer Ellie Rowsell said it was “taking… quite a long time” for them to record.
“I think I felt really grateful for all the bands and other artists that put out music, regardless of not being able to do any shows just because it was something to look forward to and it was really important and I felt grateful for them.
“So I didn’t want to delay things, but we were kind of lucky because it was taking us quite long anyway. Our timeline kind of worked out.”
Ellis says their win in 2018 seems to bypass them, adding that they were “surprised” it happened.
“I think fame would really overwhelm the four of us. We’re not ready for that.”
But it cannot be denied that they have star quality, spending the summer of that year touring with the likes of Foo Fighters, Queens Of The Stone Age and even supporting Liam Gallagher at his massive Finsbury Park gig.
However, touring the world now has become increasingly difficult – with Brexit adding red-tape and financial hurdles to artists’ headaches.
The new rules are largely untested, with no artists touring since the signing of a Brexit deal late last year, but Rowsell says it will be “devastating” for smaller acts.
“We’ve been lucky, we’ve toured Europe a little bit, in the times when it was a little bit more straightforward, still hard, but now it seems like almost unattainable in some ways,” she said.
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Festivals are back: ‘It’s a bit surreal’
Ellis added: “It’s the experience that goes with it, the festivals, those kind of things are a massive kind of financial injection for a lot of bands to help them survive the rest of the year.
“It’s been a system where people have been getting paid for festivals and then using that money to fund what they do for six months, seven months, eight months after that. I think if we hadn’t had the freedom to do that the way we did do, it would have affected us.
“It’s never beneficial to not get to go somewhere and play a gig in my opinion, if you’re a band or an artist or whatever.”
Going forward, the band want to “go and play one hundred million gigs”, because it’s what they love doing.
Ellis concluded: “If it happens without things going back and getting worse, it would be amazing to go out and do what we used to do, because it feels like it’s been a long time now.”
Wolf Alice’s third album Blue Weekend is available to buy or stream now.
Mr Bates Vs The Post Office and Mr Loverman were among the big winners at this year’s BAFTA TV awards – with Danny Dyer and Ruth Jones picking up comedy prizes.
After Mr Bates was named the winner of the TV BAFTAfor best limited drama, ITV was also given a special award for commissioning a show that “brought dynamic change”.
The four-part series, which aired in January 2024, depicted how former subpostmasters and subpostmistresses were held liable by the Post Office for financial discrepancies thrown up by its computerised accounting system, Horizon – shining a light on one of the widest miscarriages of justice in UK legal history.
Producer Patrick Spence said the show could never have been made without ITV, as well as the journalists who covered the wrongful convictions, and those who campaigned about the scandal.
“Our show didn’t change the law, the people of this nation did that,” he said.
Image: Lennie James was named best actor for Mr Loverman. Pic: PA
Image: Marisa Abela won her prize for Industry. Pic: PA
Mr Bates stars Toby Jones and Monica Dolan missed out on prizes in the acting categories, with Marisa Abela named best actress for her performance in Industry and Lennie James named best actor for Mr Loverman, a series based on the novel of the same name by Booker Prize winner Bernadine Evaristo.
Both winners seemed shocked to receive the gongs, with first-time nominee Abela saying: “Oh my god, I really wasn’t expecting that at all… This is insane.”
James described the win as a “fantastic honour”.
Earlier in the night, his co-star Ariyon Bakare took home the prize for best supporting actor, while Baby Reindeer’s Jessica Gunning picked up the gong for best supporting actress.
Image: Ruth Jones with her comedy performance gong. Pic: PA
Image: Danny Dyer won his BAFTA for Mr Bigstuff. Pic: PA
Elsewhere, Dyer got one of the night’s biggest cheers as his first ever BAFTA was announced – the award for male performance in a comedy, for his role in Sky’s Mr Bigstuff – while Jones’s final performance as Nessa in the long-awaited Gavin & Stacey: The Finale earned her the female comedy performance gong.
Accepting his prize, Dyer said “the acting was so bad it was funny”, before he swore several times despite being warned about the rules. He also thanked his family, and writer and actor Ryan Sampson, who he called the “best thing to come out of Rotherham”.
“I’m not going to lie this is immense,” said Jones as she collected her award. “The person I would like to thank most his my dear, dear talented friend James Corden.”
She said without British actor Corden, her co-creator and co-star, “Vanessa Shanessa Nessa’ Jenkins would not exist”.
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Stars on the red carpet
Wins for other shows included best drama for Blue Lights, best soap for EastEnders, best scripted comedy for Alma’s Not Normal, best entertainment performance for Joe Lycett’s Late Night Lycett, and best entertainment programme for Would I Lie To You?
This year’s BAFTA Fellowship, the highest accolade given by the organisation, in recognition of an outstanding and exceptional contribution to film, games or television, was presented to broadcaster Kirsty Wark for her “unwavering dedication and unmatched legacy in the world of news and current affairs broadcasting”.
Two new categories celebrating children’s television were also introduced this yearm with CBeebies As You Like It at Shakespeare’s Globe taking home the inaugural prize for best children’s scripted, and Sky’s Disability and Me (FYI Investigates) winning the non-scripted prize.
The main ceremony, which was hosted by actor and presenter Alan Cumming at London’s Royal Festival Hall, came two weeks after the BAFTA craft ceremony for technical awards – where Baby Reindeer, Rivals and Slow Horses each picked up two prizes.
Stanley Tucci says he doesn’t understand why there has been a sudden rise in the “very far right”.
The 64-year-old actor, author and food connoisseur leads a new show aptly named Tucci In Italy, where he looks at the world-renowned cuisine and how its ingredients tell much more than just what is served on the plate.
Speaking to Sky News, he says painting the full picture of the Italian landscape was the driving force behind the show and that he made a conscious decision to include stories from all backgrounds.
Image: Stanley Tucci tries lampredotto while in Florence. Pic: National Geographic/Matt Holyoak
“I asked that we include a story about a gay couple and their children, whether it was adopted or surrogate or however, because I thought it was a really interesting story.
“I am confused as to the direction that so much of the world is heading now to the very far right and sort of vilifying the other, meaning people who aren’t like us, but I don’t quite know what that means because we are all so different.
“There is no us, right? We’re all different, so I don’t know what the problem is there.”
Image: Canci checi, a Ladin staple consisting of fried ravioli. Pic: National Geographic
Image: Tucci cooks at BBQ joint ristoro mucciante in Abruzzo with one of the owners, Rodolfo Mucciante, right. Pic: National Geographic/Matt Holyoak
Tucci adds that he wants to “look at what’s happening in Italy politically and how it’s affecting people but, of course, all through the prism of food”.
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“Those people are sitting there having a traditional Sunday lunch with the grandparents, with the grandkid, and they’re a family and yet the government says they’re not a family.
“I think that’s really interesting because Italy puts so much emphasis on family and for all practical purposes, Italy has a negative birth rate so why wouldn’t you want to welcome more children into your society who are Italian?”
Image: Chef and owner Matilde Pettini opened Dalla Lola in 2021 and discusses their dishes with Tucci. Pic: National Geographic/Matt Holyoak
Image: Ramadan El Sabawy hands Tucci a plate with his son’s crispy margherita pizza. Pic: National Geographic
In 2016, Italy passed a law that now recognises civil unions for same-sex couples in the country.
It grants couples many of the same rights and financial protections as married heterosexual couples, however, it doesn’t give LGBT+ couples the right to joint adoption or in vitro fertilisation.
In 2023, the Italian government extended its initial ban on surrogacy to include arrangements made by its citizens abroad.
Its legislation subjects any intended parent who breaks the law to jail terms of up to two years and fines of up to €1m (£846,000).
The law doesn’t include those children who were already registered before it came into effect.
Image: Tucci holding a cheese made in Lazio. Pic: National Geographic/Matt Holyoak
Image: Torcinello, a traditional sausage, served with scampi, sea asparagus, and sweet pepper sauce. Pic: National Geographic
The buzzword on social media over the last few weeks has been “conclave” following the death of Pope Francis and of course, the Oscar-winning film of the same name.
Our interview took place just before the real conclave took place, which resulted in Pope Leo XIV becoming the first American-born leader of the Catholic Church.
Starring in the film alongside Ralph Fiennes, Tucci became inadvertently connected to the news agenda when life began to imitate art.
“It’s fascinating. I mean, look, I don’t know anything about it, really, other than I made a movie about it. That’s all I know. But it is, the timing of it is unfortunate, but it’s also oddly coincidental.”
Tucci In Italy looks at traditional Italian cuisine but also explores the impact history, changing political landscapes, migration and culture can have on a dinner plate.
Image: Timballo being cut, revealing the intricate layers of crespelle and meatballs inside. Pic: National Geographic
Image: Mr Tucci fly fishes in a glacial river with locals in Trentino-Alto Adige. Pic: National Geographic/Matt Holyoak
Image: Hay soup in a loaf of homemade bread, served in the restaurant Gostner Schwaige. Pic: National Geographic
He visits the northern area of Trentino-Alto Adige, which borders Austria, to look at how Mussolini’s intense policies regarding German identity shaped the area and people today.
“It’s an incredibly beautiful region, but also it’s the way those two cultures have figured out a way to get along without violence, without blame, without hating each other, without divisiveness.
“I think it’s really wonderful. It’s a testament to… How easy it can be for us to get along.”
Tucci In Italy premieres 21 May at 8pm on National Geographic and all episodes stream from 19 May on Disney+.