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Three days before Amy Winehouse’s death from alcohol poisoning in July 2011, her goddaughter Dionne Bromfield, a 15-year-old singer, finished school for the summer and rushed to the Camden Roundhouse to perform.

It was her biggest gig yet, her friends were coming to watch and she was full of excitement. For a young singer dreaming of a career in music, just like her “Aunty Amy”, it was a big day.

Amy Winehouse turned up unexpectedly to support her, their moments together onstage captured by someone in the crowd, filming on a mobile phone.

This would be the superstar’s last public performance.

As I watched the grainy mobile phone footage later, for me this was the stand-out moment of all the news coverage around Winehouse’s death – she’s so evidently falling apart but trying so desperately to be there for her goddaughter.

Dionne Bromfield has shared her story from that night in On Stage With Amy Winehouse, the latest episode of StoryCast ’21 – a Sky News podcast series telling 21 stories from the year 2000 to 2021.

Listen below.

Subscribe to Storycast 21 now on Apple Podcasts, Spotify, Google Podcasts, Spreaker

It was 10 years ago, 23 July 2011, when I got the call from a music PR.

It was a sunny day but I was sitting in a windowless newsroom, working a 12-hour shift, and the world was also reacting to the tragedy of the horrific terror attack in Norway the previous day. It was a call I won’t forget.

Winehouse had been found in bed at home by a bodyguard with two empty vodka bottles by her side, bringing to a tragic end her very public struggle with drug and alcohol addiction. She was just 27.

Breaking the news and witnessing the outpouring of grief that followed felt unprecedented at the time, I remember a little girl with beehive hair laying flowers outside her house in Camden Square, alongside crowds in tears, Winehouse’s dad Mitch, and tributes from Mark Ronson and Kelly Osbourne; visibly stunned.

Bromfield performs with Winehouse during the tragic singer's last public appearance
Image:
Bromfield performs with Winehouse during the tragic singer’s last public appearance

Covering celebrity deaths is part of the job as an entertainment journalist, but this was no ordinary pop star; when Winehouse died, everyone had an opinion.

People were devastated, her fragility so profound, and tears turned to anger and blame; tragedies such as this can often turn toxic as grief mixed with the spotlight takes its toll.

We wanted to find out about the real Amy Winehouse.

We spoke to people who knew her, Joe Mott, Kim Dawson, Piers Hernu, her teacher Sylvia Young, former record label bosses, her biographer Chas Newkey-Burden, and countless critics such as Paul Gambaccini.

But I didn’t call the one young woman who knew the singer like no one else. The Amy behind the icon. Behind the headlines. Behind the instantly recognisable beehive, eyeliner and tattoos. The “Aunty Amy”.

Bromfield has offered a refreshed perspective of Winehouse ten years after her death
Image:
Bromfield has offered a fresh perspective of Winehouse 10 years after her death

Dionne Bromfield, now 25, was Amy’s goddaughter and musical protégé. The one who “Amy always put her best self forward to”.

“I kind of looked at her as a mother and a big sister… Aunty Amy, I mean, she loved it when I called her that.”

When Winehouse set up her own record label Lioness, Bromfield was her first signing. She helped her launch her first album, even joining her on Strictly Come Dancing as a backing singer to support her launch.

“She just had a really, really close bond with me from a young age. My mum noticed that, and Amy really wanted to kind of take me under her wing musically and just on a personal level,” she tells me during Onstage With Amy Winehouse.

“Amy was, like, made to be an amazing mum and an amazing wife. That was like her thing and her purpose for life… She loved to cook. She cooked meatballs all the time,” Dionne laughs. “They weren’t the best…

“She was a really simple girl. And it’s just everything around her was amplified and massive and big. So, yeah, the Amy I know is a loving, caring, funny and an extremely talented person. All the other stuff is just noise.”

At the time of Winehouse’s death, it didn’t feel right to approach a 15-year-old to pay tribute. But it seems a decade on, Bromfield is ready to talk about her Aunty Amy. I meet her at the Jazz After Dark club in Soho, a favourite bolthole of Winehouse and now something of a shrine to her, the walls covered in her portraits.

Bromfield notices one painting of the icon, in which she is wearing a pair of earrings she lent her during a shopping trip.

“She was like ‘oh, I don’t have any earrings and I really like your earrings. Can I wear yours… please?’ I never saw them again. God knows where they are now.”

Walking into the dark club from the bright sunshine, Bromfield is incandescent. Like many young women in the music industry now, she seems switched on but refreshingly transparent. In many ways the antithesis of the Amy Winehouse as painted by the paparazzi, but simultaneously somehow strikingly similar.

Winehouse was like a mother, sister and friend to Bromfield
Image:
Winehouse was like a mother, sister and friend to Bromfield

Cast your mind back to the Amy Winehouse who burst on to the scene in 2003, the one I remember first seeing in her music video for Stronger Than Me: fantastically unpolished, sassy and mischievous. The similarities with her goddaughter are obvious.

Bromfield says she remembers the last time she saw her godmother, the time they shared together on stage, “so vividly”.

“She came out for Mama Said, which was one of her favourite songs of mine, and she had a little dance, a little bit of backing vocals and then walked off.”

Bromfield would call the iconic singer 'Aunty Amy'
Image:
Bromfield would call the iconic singer ‘Aunty Amy’

Bromfield says it has taken a long time to process Winehouse’s death. She was performing at a festival in Wales a few days later when the news broke.

“I remember going, okay, and carried on doing what I was doing, it didn’t really make sense in my head. It didn’t register. And I just kept on getting dressed to go and do my gig. It was more like, I literally saw her three days earlier and she was so positive she was glowing and everything. How are we going from this, to this?”

Winehouse had released her first album, Frank, in 2003. In 2005, she met Blake Fielder-Civil, whom she married in 2007. It was a marriage, she would later admit, based on taking drugs.

Amy Winehouse passed away on 23 July 2011
Image:
Amy Winehouse passed away on 23 July 2011

Yet in 2006 she released her critically acclaimed second album Back To Black, which would go on to become one of the UK’s biggest selling albums ever. It was the heartbreak of the record, many of the songs about Fielder-Civil, which resonated.

Her multiple Grammy award wins broke records and brought huge international success.

The contrast between her sultry and striking talent as a singing sensation and the depths of her darkness is perhaps what has come to define her legacy.

Bromfield joined fans who had laid tributes for Winehouse in July 2011
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Bromfield joined fans who had laid tributes for Winehouse in July 2011
Tributes were laid near Amy Winehouse's home after her death
Image:
Tributes were laid near Amy Winehouse’s home after her death

At the time I remember people described a sense of inevitability about the death of Winehouse. In interviews, her father Mitch had said he had feared the worst might happen.

But Bromfield says there was nothing inevitable about it.

“To me, it didn’t feel like something that was on the cards,” she says. “She was really full of life that night. So, yeah, it was not a person who had given up on life.”

The fact she hadn’t given up, and still had so much more to give, is perhaps why Amy Winehouse will continue to be remembered.

And for Bromfield, her godmother, her musical mentor and “Aunty Amy”, will always be a part of her future, as well as her past.

You can listen to On Stage With Amy Winehouse and the rest of StoryCast ’21 by clicking here.

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Fawlty Towers actress Prunella Scales has died

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Fawlty Towers actress Prunella Scales has died

Prunella Scales, best known for her role as Sybil in Fawlty Towers, has died aged 93, her family has said.

Prunella Scales was watching the sitcom the day before she died, her sons Samuel and Joseph West said.

They said in a statement to the PA news agency: “Our darling mother Prunella Scales died peacefully at home in London yesterday.”

Her seven-decade acting career saw her in multiple roles from the 1950s, including in 1960s sitcom Marriage Lines, before featuring as the wife of John Cleese’s character Basil Fawlty, in two series of Fawlty Towers in 1975 and 1979.

Prunella Scales, pictured in 2017, has died at the age of 93. File pic: PA
Image:
Prunella Scales, pictured in 2017, has died at the age of 93. File pic: PA

The family statement added: “She was 93. Although dementia forced her retirement from a remarkable acting career of nearly 70 years, she continued to live at home. She was watching Fawlty Towers the day before she died.

“Pru was married to Timothy West for 61 years. He died in November 2024.

“She is survived by two sons and one stepdaughter, seven grandchildren and four great-grandchildren.

“We would like to thank all those who gave Pru such wonderful care at the end of her life: her last days were comfortable, contented and surrounded by love.”

Prunella Scales was married to fellow actor Timothy West for 61 years before his death in November 2024. Pic: Geoff Pugh/Shutterstock
Image:
Prunella Scales was married to fellow actor Timothy West for 61 years before his death in November 2024. Pic: Geoff Pugh/Shutterstock

Prunella Scales was one of the most successful and popular comedy actresses of her generation – achieving worldwide fame and recognition as Sybil, the long-suffering wife of Basil Fawlty in the sitcom Fawlty Towers.

Her performances, alongside John Cleese, are often regarded as arguably some of TV’s funniest comedy moments ever.

The sitcom, set in a hotel in the seaside resort of Torquay, continues to be broadcast. It was developed into a theatre production that moved to London’s West End in 2024.

Prunella Scales (left), pictured here in 1979 as Sybil, alongside John Cleese (back centre) who played Basil Fawlty. Pic: Eugene Adebari/Shutterstock
Image:
Prunella Scales (left), pictured here in 1979 as Sybil, alongside John Cleese (back centre) who played Basil Fawlty. Pic: Eugene Adebari/Shutterstock

But although she was regularly cast in comic roles, alongside comedy giants like Richard Briers and Ronnie Barker, her abilities ranged far more widely than that.

‘National treasure’ and ‘British icon’

Jon Petrie, director of comedy at the BBC which broadcast Fawlty Towers, described her as a “national treasure whose brilliance as Sybil Fawlty lit up screens and still makes us laugh today”.

Meanwhile, Corinne Mills, for Alzheimer’s Society, called her a “a true British icon” and praised her for “shining an important light on the UK’s biggest killer”.

Seven-decade acting career

Prunella Margaret Rumney Illingworth, who was born on 22 June 1932, had a seven-decade acting career.

Her career break came with the early 1960s sitcom Marriage Lines, starring opposite Richard Briers. Scales also played Queen Elizabeth II in the British film A Question Of Attribution, and in 1973, Scales teamed up with Ronnie Barker in the series called Seven Of One.

In 2006, she appeared alongside Academy Award winners Vanessa Redgrave and Maximilian Schell in the mini-series The Shell Seekers.

Scales married West in 1963, and had two sons; the elder being the actor and director Samuel West, and a stepdaughter, Juliet.

Prunella Scales, seen with husband Timothy West in 2024, was living with dementia. Pic: PA
Image:
Prunella Scales, seen with husband Timothy West in 2024, was living with dementia. Pic: PA

Dementia caused her ‘gradual disappearance’

In January 2013, she revealed her short-term memory was fading and a year later her husband confirmed that Scales was living with dementia.

West told Piers Morgan’s Life Stories: “The sad thing is that you just watch the gradual disappearance of the person that you knew and loved and were very close to.

“When we’ve been to a concert, or a play, or a film, there’s nothing very much we can say about it afterwards because Pru will have a fairly hazy memory.”

The couple appeared together in 10 series of the TV series Great Canal Journeys until Scales’ dementia reportedly progressed to the point where they had to stop in 2020.

The pair appeared in several more specials, where they looked back at their travels.

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Steve Coogan ‘proud’ of Richard III film as he agrees to pay ‘substantial damages’ in libel case

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Steve Coogan 'proud' of Richard III film as he agrees to pay 'substantial damages' in libel case

Steve Coogan says he is “proud” of his film about the discovery of Richard III’s remains after he and two production companies agreed to pay “substantial damages” to a university academic.

The Alan Partridge star, his firm Baby Cow, and Pathe Productions have settled a libel claim over how Richard Taylor was portrayed in the 2022 movie The Lost King after he sued them.

Coogan, who co-wrote the screenplay and also starred in the film, said The Lost King was “the story I wanted to tell, and I am happy I did” following the settlement in the High Court on Monday.

The movie tells of how Philippa Langley led the search for the king’s skeleton.

Richard Taylor outside the High Court. Pic: PA
Image:
Richard Taylor outside the High Court. Pic: PA

The lost remains of the Plantagenet monarch, who ruled England between June 1483 and August 1485, were discovered in a Leicester car park in August 2012, more than 500 years after his death.

In June last year, Judge Jaron Lewis ruled that the film portrayed Mr Taylor, who was deputy registrar at the University of Leicester at the time of the discovery, as “knowingly misrepresented facts [about the find] to the media and the public”.

Mr Taylor was also shown to be “smug, unduly dismissive and patronising”, which had a defamatory meaning, the judge said.

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The case was due to proceed to trial, but lawyers for Mr Taylor, who is now chief operating officer at Loughborough University, told a hearing at the High Court on Monday that the parties had settled the claim.

Richard III reigned from 1483 to 1485. Pic: PA
Image:
Richard III reigned from 1483 to 1485. Pic: PA

Depiction caused serious harm – lawyer

His barrister, William Bennett KC, said Mr Taylor felt “the depiction of him in this untrue way in the film caused serious harm to his professional and personal reputations and caused enormous distress and embarrassment to him”.

“The defendants have now settled Mr Taylor’s claim in the libel against them for the publication of the film by paying him substantial damages.

“Furthermore, they have agreed to make changes to the film in order to withdraw the allegations complained of and to pay him his legal costs.”

The University of Leicester played a “crucial role in providing funds and academic expertise” for the project to find the remains, with Mr Taylor the “key co-ordinator of the university’s involvement”, Mr Bennett said.

A statue of Richard III outside Leicester Cathedral. Pic: Shropshire Matt/PA
Image:
A statue of Richard III outside Leicester Cathedral. Pic: Shropshire Matt/PA

On-screen clarification to be added to start of film

Coogan, and the production companies were not represented and did not attend but in a joint statement following the hearing, they said they were “incredibly proud of this film and are pleased this matter has now been settled”.

An on-screen clarification will be added to the start of the film, saying the portrayal of Mr Taylor in the film is “fictional and does not represent the actions of the real Mr Taylor”, who “acted with integrity during the events portrayed”.

In a separate statement, Coogan said Philippa Langley “instigated the search for Richard III. Philippa Langley insisted on the dig in the northern area of the social services car park where the remains were found. Philippa Langley raised the majority of the money for his exhumation”.

“If it wasn’t for Philippa Langley, Richard III would still be lying under a car park in Leicester. It is her name that will be remembered in relation to the discovery of the lost king, long after Richard Taylor has faded into obscurity.

“The only changes to the film will be a front card, which will follow the existing card, which says that this film is a true story, Philippa Langley’s story. That is the story I wanted to tell, and I am happy I did.”

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Mr Taylor said that he felt “cross” and “completely helpless” when the film was released, but the outcome represented “success and vindication” after “a long and gruelling battle”.

He said: “There have been moments over the last three years when I thought, when Philippa Langley approached me for the university’s support, I perhaps should have put the request in the bin, but I didn’t, and I think I was right not to do that.”

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June Lockhart: Lassie and Lost In Space actress dies aged 100

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June Lockhart: Lassie and Lost In Space actress dies aged 100

June Lockhart, who starred in television shows such as Lassie and Lost In Space, has died at the age of 100.

The US actress died of natural causes at her home in Santa Monica, California, on Thursday, according to family spokesman Lyle Gregory.

He said: “She was very happy up until the very end, reading the New York Times and LA Times every day.

“It was very important to her to stay focused on the news of the day.”

(L) June Lockhart, Lassie, and Jon Provost in 1963. Pic: Everett/Shutterstock
Image:
(L) June Lockhart, Lassie, and Jon Provost in 1963. Pic: Everett/Shutterstock

For more than 200 episodes between 1958 and 1964, she played the role of Ruth Martin, who raised the orphaned Timmy (Jon Provost) in Lassie – a show about the adventures of a brave and intelligent Rough Collie dog.

And from 1965 to 1968 spanning over 80 episodes, Lockhart was Maureen Robinson, a mother who was part of a marooned family that travelled on the spaceship Jupiter II in Lost In Space.

She was nominated for two Emmys, including best actress in a leading role in a dramatic series for her performance in Lassie in 1959.

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She also received two stars on the Hollywood Walk of Fame, one for motion picture and one for television.

Born in New York City in 1925, she was the daughter of actor Gene Lockhart and actress Kathleen Lockhart.

June Lockhart (second left) with her Lost In Space co-stars. Pic: Moviestore/Shutterstock
Image:
June Lockhart (second left) with her Lost In Space co-stars. Pic: Moviestore/Shutterstock

Feature film debut

She made her feature film debut aged 13, starring alongside both of her parents in the 1938 production A Christmas Carol, where she played Belinda Cratchit, the daughter of Bob Cratchit.

After her breakout role, she appeared in films such as All This, and Heaven Too, Meet Me in St. Louis, The Yearling, and Sergeant York.

She was also in Son Of Lassie, the 1945 sequel to Lassie, Come Home, playing the grown-up version of the role created by Elizabeth Taylor.

Over almost eight decades on screen, Lockhart appeared in dozens of TV series and movies, including when she was well in her 80s.

Other roles

She had recurring roles on Petticoat Junction, General Hospital, and Beverly Hills 90210, and guest appearances on shows including The Beverly Hillbillies, The Colbys, Knots Landing and Happy Days, as well as Full House, Roseanne and Grey’s Anatomy.

Of her time on Lassie, Lockhart spoke frankly about her canine co-star.

She said: “I worked with four Lassies. There was only one main Lassie at a time. Then there was a dog that did the running, a dog that did the fighting, and a dog that was a stand-in, because only humans can work 14 hours a day without needing a nap.

“Lassie was not especially friendly with anybody. Lassie was wholly concentrated on the trainers.”

Even though she sometimes mocked the show, she conceded: “How wonderful that in a career there is one role for which you are known. Many actors work all their lives and never have one part that is really theirs.”

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In Lost In Space, Lockhart was part of a family that left Earth on a five-year flight to a faraway planet.

After their mission was sabotaged by fellow passenger Dr Zachary Smith, the group went from planet to planet, encountering strange creatures and near-disasters where viewers needed to watch the following week to learn of the escape.

Speaking fondly about working on Lost in Space, Lockhart said: “It was like going to work at Disneyland every day.”

She was married and divorced twice: to John Maloney, a physician, father of her daughters Anne Kathleen and June Elizabeth; and architect John C Lindsay.

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