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For all the noise that has surrounded Britney Spears, little has ever come from the star herself.

Ever since Baby One More Time announced her arrival as a superstar at the age of 16, Spears has made headlines: her appearance, her sex life, her break-ups, her breakdown – every movement scrutinised, analysed, objectified, criticised.

Paparazzi photographers followed her like an “army of zombies” and for 13 years she lived under a conservatorship that controlled her life.

She was one of the biggest stars on the planet but could not make her own choices – from trainers to boyfriends, it was all vetted.

Undated handout photo issued by Simon & Schuster of the front cover of Britney Spear's memoirs The Woman In Me. The book will be published by Gallery Books, an imprint of Simon & Schuster, in October this year. The US pop star said she had had "a lot of therapy" to help get the book done and hoped fans would like it. Issue date: Wednesday July 12, 2023.
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Pic: Simon & Schuster

Now, after being freed from her conservatorship following much-publicised legal proceedings in 2021 – and the #FreeBritney campaign from fans – Spears is telling her story in her own words, in the memoir The Woman In Me.

The title is significant, referencing a lyric from the song Not A Girl, Not Yet A Woman, released earlyish in her career from her third album, Britney, in 2002: “I’m not a girl, don’t tell me what to believe… I’m just tryin’ to find the woman in me.”

Spears was just 20 when the song was released. Sexualised from a young age, at the same time shamed and criticised about her womanhood, she could not win. As she puts it: “No one could seem to think of me as both sexy and capable, or talented and hot. If I was sexy, they seemed to think I must be stupid. If I was hot, I couldn’t possibly be talented.”

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And then, after she became a mother – all she had ever wanted – she was placed under the conservatorship, with her father Jamie and others in charge. Under this legal arrangement, she became “a sort of child-robot”, she says. “I had been so infantilised that I was losing pieces of what made me feel like myself… the conservatorship stripped me of my womanhood, made me into a child.”

The Woman In Me is a short memoir, less than 300 pages. Spears’s storytelling is straightforward, addressing aspects of her life, good and bad, matter-of-factly before moving on to the next. She doesn’t need to embellish – the facts are emotive enough.

Framing Britney Spears is set to air in the UK on Sky Documentaries
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Pic: From the documentary Framing Britney Spears/ Sky Documentaries

‘There is so much freedom in being anonymous’

The star begins with her early life growing up in Kentwood, Louisiana, detailing a somewhat difficult childhood due to her parents fighting and father Jamie’s drinking. She was drinking and smoking by the age of 13, she says, and started driving at that age, too.

As she details her rise to fame, it is clear how underestimated she was from the start. As many who were involved in her career and the Baby One More Time video have previously said, the idea for the bored schoolgirl and her classmates dancing in the corridors – a huge part of the song’s success – was all hers.

Back then, she “had nothing to lose”, she says. “There is so much freedom in being anonymous.”

Once that song was out in the world, her life, her freedom, would never be the same again.

Read more:
Ten revelations from The Woman In Me
The key claims made in star’s 2021 court speech

FILE - In this Feb. 10, 2002, file photo, Justin Timberlake and Britney Spears wave to the crowd prior to the start of the 2002 NBA All-Star game in Philadelphia. Timberlake told E! News on Sept. 13, 2016, that he's open to collaborating with Spears. Spears mentioned Timberlake last month in answering a question about who she would like to work with one day. (AP Photo/Chris Gardner, File)
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Pic: AP/Chris Gardner

Spears goes on to describe her relationship with fellow Mickey Mouse club protege Justin Timberlake, describing their romance and claiming he cheated on her, but says she “let it all go”, eventually also cheating on him. Perhaps the biggest revelation from the book, that she had an abortion during their relationship, was previewed before its release. To Spears, the pregnancy wasn’t a “tragedy”, she says, but Timberlake said they weren’t ready.

When they broke up in 2002 they were a couple barely out of their teens – a difficult time in anyone’s life, let alone under the glare of paparazzi flashes and tabloid headlines. He dumped her by text message, she says. She details her hurt, but also defends Timberlake about another aspect of their break-up that he has since been publicly criticised for – admitting to an interviewer that they had slept together, despite her being marketed as “an eternal virgin”.

Timberlake is yet to comment on Spears’s memoir, but has previously apologised for his comments on their sex life. But the star says of this: “Was I mad at being ‘outed’ by him as sexually active? No. To be honest with you, I liked that Justin said that. Why did my managers work so hard to claim I was some kind of young-girl virgin even into my 20s. Whose business was it if I’d had sex or not?”

Spears says she started to increasingly suffer anxiety as she made headlines whatever she did. What happened in the years that followed has been well-documented: her 55-hour Las Vegas marriage to childhood friend Jason Alexander; her marriage to dancer Keven Federline later that year and the subsequent birth of her two sons, and then the struggles she faced after their split amid a custody battle. She suffered perinatal depression, she says, as her “vulnerable” babies were placed in “the world of jockeying paparazzi and tabloids”.

When it became too much, she famously shaved her head. This was her “f*** you” to the world, to everyone who wanted her to be the beautiful good girl, the pop princess puppet.

Not long after this, plans for the conservatorship were put in place.

Supporters of Britney Spears outside the courthouse in Los Angeles

#FreeBritney: ‘I’ve been through too much’

Spears says she started attempts to free herself from the legal arrangement in 2014. Hearings took place in private, but as the #FreeBritney movement grew and a documentary was released about it early in 2021, the world became aware that something wasn’t right. Then, in June 2021, Spears finally had her say in open court, giving a four-page statement over 20 minutes, telling the judge: “I want my life back.”

Five months later, the order was lifted. Since then, Spears has gone through a miscarriage, married and subsequently split from Sam Asghari. Fans now hear from her through her Instagram page, on which she shares dancing videos and often naked or semi-naked pictures or clips.

Concerns for her welfare have been raised about her posts, but as she explains in the book: “I know that a lot of people don’t understand why I love taking pictures of myself naked or in new dresses… I think if they’d been photographed by other people thousands of times, prodded and posed for other people’s approval, they’d understand that I get a lot of joy from posing the way I feel sexy and taking my own picture.”

Instagram aside, The Woman In Me is the first chance to hear about all of these much-covered ups and downs of her life in in Spears’s own words. She is honest about her flaws – that she was never good at fame, that she did occasionally take prescription drugs, she did cheat – but it is clear she was let down by so many. There is an undercurrent of anger: at the industry, the men who wronged her, her family, all those who made money out of Brand Britney while she was suffering.

Like many child stars before her, Spears has not experienced a normal transition into adulthood. At least now, hopefully, she gets to call the shots. Her book gives her the chance to have her say, but she doesn’t want to look back and reflect on the what ifs.

“It’s difficult for me to revisit this darkest chapter of my life and to think about what might have been different if I’d pushed back harder then,” she says of the conservatorship. “I don’t at all like to think about that… I can’t afford to, honestly. I’ve been through too much.”

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Black Sabbath, Elton John and Rod Stewart among music giants paying tribute to Ozzy Osbourne

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Black Sabbath, Elton John and Rod Stewart among music giants paying tribute to Ozzy Osbourne

Black Sabbath have paid tribute to their former frontman Ozzy Osbourne after the megastar died at the age of 76.

Osbourne’s death on Tuesday morning was announced in a statement, which said he died surrounded by his family.

His death came just weeks after he reunited with his Black Sabbath bandmates – Tony Iommi, Terence “Geezer” Butler and Bill Ward – and performed a huge farewell concert for fans.

The band paid tribute to him on Instagram by sharing an image of Osbourne on stage at the farewell gig in Birmingham and writing “Ozzy Forever”.

Ozzy Osbourne’s life in pictures

Iommi, the band’s lead guitarist, said he was in disbelief at the news.

“It’s just such heartbreaking news that I can’t really find the words, there won’t ever be another like him. Geezer, Bill and myself have lost our brother.”

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Watch: Ozzy’s last concert

Butler, Black Sabbath’s bassist and primary lyricist, thanked Osbourne for “all those years – we had some great fun”.

He said: “Four kids from Aston – who’d have thought, eh? So glad we got to do it one last time, back in Aston. Love you.”

Ozzy Osbourne salutes the crowd with his wife Sharon during the 46th Annual Grammy Awards. Pic: AP
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Osbourne with his wife Sharon during the 46th Annual Grammy Awards. Pic: AP

Sir Elton John described Osbourne as his “dear friend” and a “huge trailblazer” who “secured his place in the pantheon of rock gods”.

“He was also one of the funniest people I’ve ever met,” the singer wrote on Instagram.

Ronnie Wood, of The Rolling Stones, wrote: “I am so very sad to hear of the death of Ozzy Osbourne. What a lovely goodbye concert he had at Back To The Beginning in Birmingham.”

Born John Michael Osbourne on 3 December 1948 in Aston, Birmingham, he became known as the godfather of heavy metal.

The self-styled Prince of Darkness pioneered the music genre with Black Sabbath before going on to have huge success in his own right.

He was famous for hits including Iron Man, Paranoid, War Pigs, Crazy Train and Changes, both with the band and as a solo star.

Legendary American heavy metal band Metallica shared an image of them with Osbourne from 1986 along with an emoji of a broken heart.

Posting on Instagram, Sir Rod Stewart said: “Sleep well, my friend. I’ll see you up there – later rather than sooner.”

Queen guitarist Sir Brian May said he was “grateful I was able to have a few quiet words” with Osbourne after his farewell show at Villa Park three weeks ago.

He said the world will miss the singer’s “unique presence and fearless talent”.

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Ozzy Osbourne obituary: Heavy metal, reality TV, and biting bats – the wild life of Birmingham’s Prince Of Darkness

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Ozzy Osbourne obituary: Heavy metal, reality TV, and biting bats – the wild life of Birmingham's Prince Of Darkness

“You’ve no idea how I feel – thank you from the bottom of my heart,” an emotional Ozzy Osbourne told fans as he performed from a throne on stage at his beloved Villa Park, reunited with Black Sabbath, less than three weeks ago.

It was an exit on his own terms by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries including Slayer, Metallica and Guns’n’Roses, all inspired by his music.

With Black Sabbath, Osbourne was at the forefront of heavy metal. As Ozzy, he was one of the biggest rock stars in the world. Nowhere was this more evident than at the Back To The Beginning in his home city, where 40,000 fans gathered to see the show billed as his “final bow”.

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Ozzy’s final show

“Without Sabbath, there would be no Metallica,” frontman James Hetfield told the crowd in Birmingham.

It was a sentiment echoed by many of the other acts who performed on stage. Announced by his wife Sharon earlier this year, the show was a chance for the performer to reunite with Black Sabbath and say thank you and farewell to fans after years of health problems, including Parkinson’s disease, which had forced him to cancel recent tour shows.

Other celebrities, from Sir Elton John to Dolly Parton, sent video messages of support. Fans knew it would be his last performance, but could not have known his death, at the age of 76, would come so soon.

It was a truly metal goodbye.

Pic: Everett/Shutterstock
BLACK SABBATH, Ozzy Osbourne (back centre), c 1970s
VARIOUS POP
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Black Sabbath in the 1970s. Pic: Everett/Shutterstock

‘I think there’s a wild man in everybody’

John Michael Osbourne was born in Solihull in December 1948 and grew up in the Aston area of the West Midlands city.

As a teenager, he was bullied at school. Drink and drugs later became a way to escape his fears, he said in interviews, and after leaving school at 15, he worked several jobs, including labouring and in an abattoir.

It was hearing The Beatles, he said, that made him want to be a musician.

“I think there’s a wild man in everybody,” he says in a resurfaced interview clip. “Ozzy Osbourne and John Osbourne is two different people. John Osbourne is talking to you now.” His eyes widen a little manically, he grins, the voice cranks up. “But if you want to be Ozzy Osbourne, it’s like… it just takes over you.”

(L-R) Tony Iommi, Ozzy Osbourne and Geezer Butler of Black Sabbath pose with their award for Best Metal Performance at the 2014 Grammys
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(L-R) Tony Iommi, Ozzy Osbourne and Geezer Butler of Black Sabbath at the Grammys in 2014

In 1967, he was recruited to the band that two years later would become Black Sabbath, inspired by a film of the same title. This was a line-up of four working-class schoolfriends – Tony Iommi, Bill Ward and Geezer Butler, alongside Ozzy – who twisted heavy blues into something darker, creating a sound and otherworldly image that felt new, exciting and rebellious.

A self-titled debut album was released in 1970 and made the Top 10 in the UK. The follow-up, Paranoid, released just seven months later, topped the charts after the single of the same name became their big breakthrough. The album also included the unforgettable Iron Man and the anti-war protest song War Pigs – its unmistakeable riff inspiring the Arctic Monkeys’ 2014 single, Arabella.

Black Sabbath went on to release six more albums with Osbourne at the helm before he was fired in 1979 due to his drinking and substance use, something he claimed was no better or worse than other members at the time.

Ozzy Osbourne in 1978. Pic: Andrew Kent/Retna/Mediapunch/Shutterstock
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Osbourne in 1978. Pic: Andrew Kent/Retna/Mediapunch/Shutterstock

In 1980, he returned with his debut solo album, Blizzard Of Oz, and the lead single Crazy Train. As a solo artist, he went on to release 13 studio albums – the last being Patient Number 9, in 2022 – and had hits with songs including Mr Crowley, Diary Of A Madman, No More Tears, Bark At The Moon and Shot In The Dark.

His first UK number one was a re-recording of the Black Sabbath ballad Changes, as a duet with his daughter, Kelly, in 2003, and his collaborations over the years included everyone from Alice Cooper (Hey Stoopid in 1991) and Post Malone (Take What You Want in 2019) to, in a somewhat unusual move, Hollywood star Kim Basinger for a re-recording of the dance hit Shake Your Head by Was (Not Was) in 1992.

With Black Sabbath and as a solo star, he is estimated to have sold 100 million records throughout his career – for context, this is reportedly on a par with Sir Paul McCartney’s solo sales – so the numbers speak for themselves.

Kelly Osbourne, from left, Ozzy Osbourne, and Sharon Osbourne in 2020. Pic: AP
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With daughter Kelly Osbourne and wife Sharon in 2020. Pic: AP

Biting the bat

Osbourne was also a huge personality and played up to his hellraising image – the Prince of Darkness.

The most famous Ozzy story goes like this.

The singer was on stage in Des Moines, Iowa, 1982, when the bat appeared. He assumed it was a toy. So, like any good hellraiser would do, he bit its head off.

Pic: Chris Pizzello/Invision/AP
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Pic: Chris Pizzello/Invision/AP

For more than 40 years, he found himself jokily fielding questions about bats. What do they taste like? (Salty). What happened afterwards? (Headline news, painful rabies shots). Do you have any pets? (Yes. They’re all dead).
“I get a lot of weird people at my concerts,” he told David Letterman in 1982, of how the animal came to appear in front of him. “It’s rock ‘n’ roll, y’know”.

He was sometimes irritated by the bat connection. But he also played up to the image, recounting the story in interviews, offering plush bat toys among his merch, and appearing as himself, biting a bat, in the 2000 Adam Sandler comedy Little Nicky, about the son of Satan.

Known for catapulting raw meat at fans during gigs, there were plenty of other tales of darkness and debauchery. Osbourne’s wild persona and on-stage theatrics always went hand-in-hand with the music.

From Prince of Darkness to reality TV

He was famously managed by his wife, Sharon, whom he first met when her dad, Don Arden, was managing Black Sabbath. As well as the music, Sharon and Ozzy together founded the Ozzfest festival tours in 1996 – and in 2002 came his second act.

It’s hard to imagine it now, but before the perfectly coiffed Kardashians it was a scruffy 50-something rocker from Birmingham and his family who ruled the Hollywood reality TV scene. As with his music, he was a pioneer – this time round of a new era of addictive viewing.

The Osbournes followed the lives of Ozzy and Sharon and two of their children, Kelly and Jack (their eldest daughter, Aimee, famously had nothing to do with the show), and the family fallouts and sunny California culture clash proved to be a ratings winner. The MTV series catapulted the metal star to global mainstream celebrity heights.

His marriage to Sharon was tumultuous but the pair always stayed together, and they renewed their wedding vows in 2017. Sharon was the driving force behind Ozzy’s successes, to him eventually getting clean, and behind his farewell show.

Metallica frontman James Hetfield. Pic: Ross Halfin
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Metallica frontman James Hetfield was among those who paid tribute at his final gig earlier in July. Pic: Ross Halfin

Despite weathering the storm of drink and drug use, Osbourne’s air of indestructibility was challenged when a quad bike accident left him with a broken collar bone and ribs, as well as short-term memory loss, in 2003.

The 2020 documentary Biography: The Nine Lives Of Ozzy Osbourne, had summed up with its title the performer’s seeming ability to defy the odds. However, the health problems started to mount up. Scheduled tours were postponed, and in 2023 he told fans holding on to tickets that he had come to the realisation he was “not physically capable” of dealing with life on the road.

But there was one gig he couldn’t miss – a surprise appearance to close the Commonwealth Games in his home city in 2022, just weeks after undergoing surgery.

Now, fans will remember the shows they did get to see, the music that ushered in a new genre – and especially his most recent gig, which was said to have raised around £140m for charities. Just a few days afterwards, his new memoir, Last Rites, was announced. It will be released in October.

Ozzy Osbourne's star as he is inducted into the 'Birmingham Walk of Stars' on Broad Street in central Birmingham.
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Ozzy Osbourne’s star on the ‘Birmingham Walk of Stars’

During his career, Osbourne was inducted into the UK Music Hall of Fame and the US Rock And Roll Hall Of Fame – twice for both, with Black Sabbath and as a solo artist. “Countless artists from many genres have credited Ozzy as a major influence, including Metallica, Lita Ford, Rage Against The Machine, and Busta Rhymes,” reads his US citation. “With his longevity, impact, and iconic persona, Ozzy Osbourne is a phenomenon unlike any other.”

He also has a star on the Hollywood Walk Of Fame – as well as in Birmingham’s Broad Street – an Ivor Novello, and five Grammy wins from 12 nominations.

But other honours, such as the NME’s Godlike Genius award, and Classic Rock’s Living Legend, also give a sense of how much his personality played a part in why he is so beloved by fans and critics alike. In the Nine Lives documentary, daughter Kelly describes him as “the most irresistible mad man you will ever meet in your life”.

Osbourne’s was an unlikely journey from Birmingham to LA. He was a working-class hero of heavy metal, a reality TV favourite – forever the Prince of Darkness.

“People say to me, if you could do it all again, knowing what you know now, would you change anything?” he once said. “I’m like, f*** no… If I’d done normal, sensible things, I wouldn’t be Ozzy.”

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Christina Aguilera on bringing Burlesque to the stage and her rise to fame

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Christina Aguilera on bringing Burlesque to the stage and her rise to fame

Christina Aguilera has told Sky News it is “magical” to see her hit film Burlesque being brought to London’s West End – and also opened up about her rise to fame in the late 1990s.

The US star topped the US and UK charts with Genie In A Bottle in 1999, before finding an even bigger audience with her acclaimed album Stripped and hits including Dirrty, Beautiful and Fighter in the early 2000s.

Christina Aguilera is a producer for the stage adaptation of Burlesque. Pic: Hayden Coens @daydreamsmedia
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Christina Aguilera is a producer for the stage adaptation of Burlesque. Pic: Hayden Coens @daydreamsmedia

In 2010, she starred in Burlesque alongside Cher, Julianne Hough and Stanley Tucci, and now, 15 years later, is a producer for the stage version of the show alongside the film’s original director and writer, Steven Antin.

Speaking ahead of the show’s gala night, Aguilera told Sky News presenter Leah Boleto she has enjoyed taking a backseat and seeing the fresh interpretation of her character – a small-town girl turned into a star.

Christina Aguilera is a producer for the stage adaptation of Burlesque The Musical, on at London's Savoy Theatre. Pic: Pamela Raith
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Burlesque The Musical. Pic: Pamela Raith Photography

“It’s just so beautiful to see the talent that’s on this stage and to absorb it and appreciate the fresh takes on things,” she said. “I love actually taking a step back and a backseat… it’s beautiful to see the reinvention.

“When you’re in it, you focus on the choreography, all these different elements, that being able to take a backseat and being more of a visionary of the bigger picture, it’s really a special thing.”

Aguilera said she had been “blown away” by Jess Folley, who plays her character Ali in the show, and has fully embraced the “powerhouse vocals” as well as the vulnerability needed for the role.

“She just is doing such a magnificent, magnificent job and likewise inspires me as well,” she said.

Jess Folley stars in Burlesque The Musical. Pic: Pamela Raith Photography
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Jess Folley stars as Ali, the role originally played by Aguilera, in Burlesque The Musical. Pic: Pamela Raith Photography

Aguilera said she would love to see her film co-star Cher popping by to see the show in London.

“She’s always welcome to grace us with her incredible, iconic presence. And I’m just so grateful that I had the time to be with her. I mean, looking back, it’s just – did that even happen?”

Aguilera arrived on the scene at the same time as Britney Spears, at a time when young female pop stars were celebrated, sexualised and scrutinised.

After the success of her debut album, she took a different direction with Stripped – embracing her sexuality and famously taking on a less girlish image with chaps, a nose stud and black streaks in her hair for the Dirrty video, and opening up about her life and emotions through songs such as Fighter and Beautiful.

Christina Aguilera at the MTV Video Awards in New York in 2002. Pic: Star Max via AP Images
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Aguilera at the MTV Video Awards in New York in 2002. Pic: Star Max via AP Images

She also took on the patriarchy in Can’t Hold Us Down, a duet with Lil’ Kim, and performed on the hit cover of Lady Marmalade alongside Lil’ Kim, Maya and Pink for Moulin Rouge!

“I always want to stay true to authenticity,” she said. “And for me, with that first album it was wonderful to get my foot in the door…

“It’s important to me that I stepped out on my own and reflected all sides of me as a woman, embracing my sexuality and sensuality, and my body… Dirrty, I just loved those chaps and everything about that was just so fun and raw.”

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So would she do it all again, then? Or would she prefer to be an artist starting out now?

“The ’90s, it was a pretty special time in music. And it was a time when you could still like go to Virgin records or like wherever and look at the CDs, look at the packaging. And, you know, sometimes the authenticity is missed.”

However, the good thing about social media now is that it has given stars the means to tell their own stories, she adds. “You have an opportunity now to really present yourself in ways that it’s not just about the music, to become more the narrator in real time… this is what it is like, be your own voice rather than reading about yourself in an article.”

But still, she wouldn’t swap. “It has to stay where it was.”

Burlesque The Musical is showing at The Savoy theatre in London now

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