“In the Heights, it gets more expensive every day.”
That’s the message from the fictional residents of the real community of Washington Heights in New York – the focus of Lin-Manuel Miranda’s latest release.
Already synonymous with the record-breaking Hamilton (which is about to hit Broadway and West End stages again), Miranda’s first musical, the Tony-winning In The Heights, highlights the struggles – and joys – of living in this mostly Latino community in the Big Apple.
It first ran on Broadway in 2008 – but now 13 years on, the unique issues that community faces remain the same – a reflection on society in the real world.
In just two hours and 20 minutes, we hear about undocumented immigrants, ICE (Immigration Compliance and Enforcement) raids, racism, gentrification and poverty in this diverse neighbourhood – as well as the joy and excitement of a community that is talked about so little in mainstream cinema.
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And it wouldn’t be a Lin-Manuel Miranda musical without his rap numbers, comic relief, big dance breaks and catchy pop tunes.
“It’s never a bad time to remind people of our humanity,” Miranda, who grew up in the real Washington Heights, told Sky News, when asked why now was a good time to bring this musical to the big screen.
He added: “It’s always going to be relevant.
“There’s such a meagre representation of Latinos in a positive light in mainstream media that it’s always going to feel like now is the perfect time because it’s always overdue.
“We filmed this in the summer of 2019 and the poignancy and power of seeing people in community together, like singing and hugging each other and kissing, dancing in the streets is the power of what we can do together, I think really radiates off the screen, and as the kids say, ‘it hits different’ now than it may have at an earlier time.”
Miranda is one of the most in-demand people in showbiz – hot off the heels of his record and ground-breaking musical Hamilton, he has penned songs, acted in movies and voice characters for a number of projects.
And it doesn’t stop there – he is making his directorial debut soon with Netflix’s Tick, Tick… Boom and he’s on board for the live-action remake for The Little Mermaid.
In The Heights, which has a cast entirely made up of Latino performers and was co-written with Quiara Alegría Hudes, is centred around Usnavi (named after the time his father spotted a US Navy ship sailing by their home country of the Dominican Republic), who dreams of ditching his bodega (or corner shop to us Britons) and flying back to the Caribbean.
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Anthony Ramos on his role as Usnavi
He’s played by Anthony Ramos, who UK fans might know, again, from Hamilton, where he played John Laurens and Philip Hamilton.
“Usnavi is a guy that… cares about his community,” he told Sky News.
“He takes care of his cousin, he takes care of, she’s not really his grandmother, but the matriarch of the block, if you will, and of the community.
“Both his parents passed away, he inherited a business that he didn’t ask for, but he does it with as much grace as possible.”
He adds that the character is relatable to everyone, saying: “Who hasn’t gone through that? Where you have days with some good, some not so good. It’s just it’s just a story about community and people in love, and family and music and culture.”
Ramos describes his character as the “invisible thread” that runs through the film as we meet the residents of Washington Heights trying to get through their lives – whether it’s the gossip girls from the salon, his cousin Sonny dealing with his immigration status or Abuela Claudia, who just wants to look after the block.
Sonny, Usnavi’s cousin and assistant in his bodega, is an undocumented citizen – a story that has grown in prominence over the last decade or so in the US due to fierce debates around border crossings – with an estimated 10 million people living in the country without the paperwork.
However, Gregory Diaz III, who plays Sonny, told Sky News that despite the problems sprouting from his character’s immigration status, he wanted to portray the good in his life.
He said: “Not wanting (his immigration status) to be something that defines him or something that holds him down – it’s something that both Sonny and I together want to elevate and really push forward those positive messages.”
And he gets his chance on screen, delivering a powerful rap during musical number 96,000, saying that if he won the lottery, he’d invest in education and technology, adding: “Politicians be hatin’, racism in this nation’s gone from latent to blatant, I’ll cash my ticket and picket, invest in protest, never lose my focus ’til the city takes notice.”
Elsewhere in the film, characters Vanessa and Nina also reflect on their experiences of living in Washington Heights – with both having to deal with racism at some point in the film.
Nina is the first of her family, and everyone she knows, to go to university (at Stanford none the less) with her family sacrificing the business to help her – but she drops out amid fears she is racially profiled by those around her, sharing a story about how she was wrongfully accused of stealing from her roommate on her first day.
Her father, Kevin, who is played by West Wing and Star Wars actor Jimmy Smits, secretly sells his cab company to a wealthy developer (who is slowly taking over the whole block, pricing out the local community) to get her back in – but it is Sonny’s story that gives her the drive to go back to California.
Vanessa dreams of being a fashion designer and has saved a deposit (in cash) for an apartment in Downtown Manhattan where she can work from – however when she goes to hand over the money, she’s told her credit isn’t good enough, despite having cash and rent upfront, before a seemingly middle-class white couple is welcomed into the property instead.
Melissa Barrera, a Mexican music and TV star, who plays Vanessa, told Sky News: “I think it’s a reflection of how a lot of things have not changed in a really long time and how certain communities continue to feel ostracised, especially in countries where they’re minorities.
“I think it’s about time to see their stories told in a positive light and to honour and acknowledge the contributions that communities like these have.”
Leslie Grace, who plays Nina, added: “I think it does reflect that on lots of things we still have a lot of work to do… but it also is aspirational in the sense that we can do it.”
Completing the ensemble we have:
• The salon girls, who share gossip about the Heights in their beauty parlour (Brooklyn 99 fans will spot Stephanie Beatriz ditching the no-nonsense, gruff-voiced attitude of cop Rosa, for the excitable and bouncy hairdresser Carla).
• Benny, played by Walking Dead actor Corey Hawkins, the film’s only black character who works for Nina’s dad and is Usnavi’s best friend, dreams of going to business school. He is worried about the Heights becoming too expensive for the long-standing community there.
• Abuela Claudia, the community matriarch played by Olga Merediz, who performs an emotional number on how her family came from Cuba, lived in relative poverty and didn’t stop working until her parents passed away.
Merediz, who also originated the role of Abuela Claudia on Broadway in 2008, told Sky News: “I want everybody to see us and to see that we are just like everyone else.
“We have dreams like everyone else. We are focused on family, and that we have our nannies or our grandmothers, the rocks of the of the family, the community, that we are hardworking, that we’re joyous, that we’re passionate.“
The person bringing this unique film together is director Jon M Chu, who is perhaps best known as the man behind Crazy Rich Asians.
He told Sky News that the movie shows how people deal with the issues presented to them, saying that “the world is changing and we cannot fight it”.
Chu added: “I’m not from Washington Heights and I’m not Latino, and yet it spoke to me so personally about what it feels like to be raised by your family – not by just your parents or by your aunts and your uncles – by your grandparents and the expectations they put on you and how that can be hard to deal with and finding your own path.”
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Jon M Chu: We use films to cope
But amid the political and emotional messaging, and the struggles in the community – the film is bursting full of singing, rapping and dancing.
At its heart, it is a movie musical with big ensemble numbers (96,000, shot at a swimming pool, is already a fan favourite, as is the colourful block-carnival scene), exciting dance breaks and impressive visuals – something which is sure to make it one of the summer’s biggest films.
Miranda sums it up, telling Sky News: “There’s a really specific kind of weightless goose-bumps feeling that only musicals give me. I remember feeling it for the first time in the movies when I saw the Under The Sea number in The Little Mermaid… just feeling like, ‘oh my God, this is a musical number under water!’
“I’ll never forget the feeling of being a little lighter than air walking out of that theatre – I hope people leave our movie with that same feeling.”
In The Heights is out in cinemas across the UK on 18 June, and tickets for Hamilton in the West End are on sale now.
Neil Young has been confirmed as a headliner at this year’s Glastonbury – despite saying he was dropping out due to the BBC’s involvement in the festival.
The 79-year-old Canadian musician wrote on his website earlier this week that both he and his band, The Chrome Hearts, were pulling out because the BBC’s involvement was a “corporate turn-off”.
He has now said in a statement that this decision was down to “an error in the information I received”.
Emily Eavis, the organiser of the GlastonburyFestival, posted on Instagram on Friday: “Neil Young is an artist who’s very close to our hearts at Glastonbury.
“He does things his own way and that’s why we love him.
“We can’t wait to welcome him back here to headline the Pyramid in June.”
Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.
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Posting on Neil Young Archives, the Rock and Roll Hall of Famer wrote in his initial statement: “The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs.
“We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.
“It seems Glastonbury is now under corporate control and is not the way I remember it being.”
Young, who headlined the festival’s Pyramid stage in 2009, added: “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.
“Hope to see you at one of the other venues on the tour.”
In an updated statement, he wrote: “Due to an error in the information received, I had decided to not play the Glastonbury festival, which I always have loved.
“Happily, the festival is now back on our itinerary and we look forward to playing! Hope to see you there!”
Young, who is married to US actress Daryl Hannah, was booked to play Glastonbury in 1997 but pulled out after cutting his left index finger while making a ham sandwich.
Wayne Osmond, one of the original members of The Osmonds, has died aged 73.
The singer, who rose to fame alongside his siblings including Donny, Jimmy and Marie Osmond, died on New Year’s Day with his wife and five children by his side after suffering a stroke, family members said in posts on social media.
“His legacy of faith, music, love, and laughter have influenced the lives of many people around the world,” a family statement said.
“He would want everyone to know that the gospel of Jesus Christ is true, that families are forever, and that banana splits are the best dessert. We love him and will miss him dearly.”
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Donny Osmond, 67, paid tribute to his “dear brother” and said he was grateful to have seen him in hospital before his death.
“Wayne brought so much light, laughter, and love to everyone who knew him, especially me,” he said. “He was the ultimate optimist and was loved by everyone.”
Born in Ogden, Utah, Wayne Osmond was the fourth of nine siblings. The two oldest Osmond brothers, Virl and Tom, were both born with hearing problems.
The family were members of The Church of Jesus Christ of Latter-day Saints.
Wayne’s musical career started when he was just a boy, when he formed a barbershop quartet with three of his brothers, Alan, Merrill and Jay. They were later joined by younger siblings Donny and Jimmy and became household names in the 1970s, with hits including One Bad Apple, Crazy Horses, and Love Me For A Reason.
Merrill and Jay Osmond were among the family members sharing tributes, with Merrill, 71, also saying he visited Wayne before his death.
“I’ve never known a man that had more humility,” Merrill said. “A man with absolute no guile. An individual that was quick to forgive and had the ability to show unconditional love to everyone he ever met…
“My brother Wayne endured much. He gave it his all. His legacy will go down as someone who was not only a genius in his ability to write music, but was able to capture the hearts of millions of people and bring them closer to God.”
Jay, 69, said he had always “felt most connected to Wayne out of all of my siblings” and that a “true legend” had left the world.
Wayne Osmond is survived by all of his siblings, as well as his wife Kathlyn and their children.
Actor and director Justin Baldoni has sued The New York Times newspaper for libel after it published allegations that he had sexually harassed and tried to smear the reputation of his It Ends With Us co-star Blake Lively.
The lawsuit, which seeks at least $250m (£199m) in damages, was the latest in a legal battle that has engulfed the two stars. Lively has filed a separate federal lawsuit against Baldoni and others alleging harassment.
The Baldoni lawsuit was filed in Los Angeles Superior Court on Tuesday by the director, 40, and by other defendants named in the Lively lawsuit.
It accuses The New York Times of accepting a “self-serving narrative” by the actress, 37, who claimed Baldoni, production company Wayfarer Studios and others attempted to damage her reputation after she and her husband Ryan Reynolds, 48, addressed “repeated sexual harassment and other disturbing behaviour” by the actor and a producer on the set of the film.
According to Lively’s complaint, the plan included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories that are critical of her.
But Baldoni’s libel lawsuit claims The Times article, which was called ‘We Can Bury Anyone’: Inside a Hollywood Smear Machine, “disregard[s] an abundance of evidence” that contradicts Lively’s accusations.
The Times has defended its reporting and said it plans to “vigorously defend” against the lawsuit.
In a statement, it said: “The role of an independent news organisation is to follow the facts where they lead.
“Our story was meticulously and responsibly reported. It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article.”
Baldoni was dropped by his agency, WME, immediately after Lively filed her complaint and The Times published its story. The agency represents both Lively and Reynolds.
Bryan Freedman, a lawyer who represents Baldoni, Wayfarer Studios, and its representatives, previously called the accusations “completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media”.
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Why is Blake Lively suing Justin Baldoni?
He said on Wednesday that The Times had “aided and abetted their own devastating PR smear campaign designed to revitalise Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public”.
Lively is not a defendant in the libel lawsuit against the paper.
In a statement, lawyers representing the actress said: “Nothing in this lawsuit changes anything about the claims advanced in Ms Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today.”
It Ends With Us, which is an adaptation of Colleen Hoover’s bestselling 2016 novel, was shrouded by speculation over discord between the lead pair at the time of its release in August.
Baldoni took a backseat in promoting the film while Lively took centre stage along with Reynolds, who was on the press circuit for Deadpool & Wolverine at the same time.