It’s a night to celebrate the best films, actors and filmmakers of the past year, and 2023’s BAFTA Film Awards gave us a re-vamped ceremony, not one but two-hosts, and a brand-new venue.
German anti-war film All Quiet On The Western Front stole the show – bagging half of its 14 awards – and the best actor winner proved a surprise with Elvis’s Austin Butler taking the gong rather than The Banshees Of Inisherin’s Colin Farrell as expected.
There were plenty of silly moments throughout the night, including a skit kicking off the show featuring host Richard E Grant having a laugh with Hollywood comedy legend Steve Martin on Zoom, before jumping into a Batmobile and zooming through the streets of London to host the awards in the new venue, Elizabeth Hall on London’s Southbank.
Grant then continued his comedy routine on stage, donning a long, white cape and labelling himself a “fashion icon” to dish out a joke revolving around “late trains”, before a gag about last year’s Oscars – telling the audience: “Nobody on my watch gets slapped tonight,” before slapping himself, twice (a reference to Will Smith’s infamous slapping of Chris Rock at last year’s Oscars).
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Grant also wore two watches to the ceremony, in a nod to the complicated timings of the show tonight – the show was broadcast on the BBC from 7pm but with a delay, however the live event caught up with the broadcast by the end (as some bits were cut) and the final four awards went out live.
Last year’s best supporting actor winner, Troy Kotsur, also dished out some laughs, pulling on a massive, bendy glove, and giving a special wave to best supporting actress nominee Jamie Lee Curtis – in the style of Everything, Everywhere All At Once.
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Image: Troy Kotsur and Kerry Condon
A bit you won’t have seen on the TV…
While it may have been a sparkling evening, there was a little hiccup in the night’s proceedings – and let’s face it, everyone loves a mistake.
As Oscar-winner Kotsur announced the second prize of the night – best supporting actress – via sign language, a miscommunication on the part of the translator resulted in Carrey Mulligan’s name wrongly being called for her performance in She Said.
The announcer quickly corrected the call and announced The Banshees Of Inisherin star Kerry Condon as the winner, who went on to accept her award. It was explained to the press at the event, that while Kotsur and the British Sign Language (BSL) translator had got it right, the American Sign Language (ASL) translator had made the slip up.
Event host Richard E Grant joked later that he had a defibrillator for Mulligan.
With a Carrey and a Kerry in the same category, it’s easy to see how a slip could happen in the heat of the moment. And we can all remember the Oscar mix up when La La Land was wrongly announced as best picture winner instead of Moonlight.. Thanks to the magic of a TV delay and editing, this mistake did not make it to the TV cut.
Image: Nominees Ke Huy Quan and Michelle Yeoh
A political flavour to the night
The first award of the night, best adapted screenplay, also went to All Quiet On The Western Front (a trend that continued through the night), with director Edward Berger paying tribute to those fighting in Ukraine.
Cinematographer James Friend said the film showed how a generation of young German men were “poisoned by right-wing nationalistic propaganda” and he stressed that the film’s message remains “relevant” nearly a century on.
Screenwriter Ian Stokell said the project had been “worth the wait” because the film is anti-war.
Navalny – a film which follows Russian opposition leader Alexei Navalny and his close-knit team as they navigate the months after his poisoning – won best documentary.
Sky News spoke to Navalny’s daighter Dasha Navalny on the red carpet, saying: “It’s a weird feeling being here while he is in prison”.
She said her father is aware of the programme’s BAFTA and Oscar nominations, adding that “he told us to tell him all about it in the letters we were allowed to send”.
On stage, the filmmakers say the documentary was made under “constant surveillance”.
Actress Odessa Rae paid tribute to investigative journalist Christo Grozev who could not be at the ceremony due to “a public security risk”.
“He gave up everything to tell this story, and other stories that need to be told,” Rae said.
Grozev subsequently Tweeted: “Wow.”
Cate Blanchett, Michelle Yeoh and Jamie Lee Curtis were among the stars wearing a blue ribbon to show their solidarity and support for refugees and displaced people around the world, including those affected by the Russian invasion of Ukraine and other events such as the Turkey-Syria earthquake over the past year.
Colin Farrell, Daryl McCormack, Paul Mescal, Bill Nighy and Angela Bassett all showed their support and pinned on a blue ribbon too.
A spokesperson for the organisation said: “The wearing of the blue #WithRefugees ribbon on the red carpet sends a powerful visual message that everyone has the right to seek safety, whoever, wherever, whenever.”
Image: Ariana DeBose performs on stage
Is diversity an issue once again?
Representation is always a big talking point come awards season, following previous controversies around diversity at both the BAFTAs and the Oscars.
This year, while the Oscars was criticised for failing to nominate any black women in the best actress category, the BAFTAs made changes to voting which ensured more diversity in their nominations across the board.
However, the winners of all four performing categories were white actors, which is likely to raise further questions as to whether enough is being done to improve the diversity and inclusion of our biggest awards shows.
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‘We want to be acknowledged for our skill’
Live music amid the luvvies
Ariana DeBose gave the first performance of the night, singing Sisters with backing performers.
In a contemporary rap, inspired by the 2023 BAFTA nominees, she referenced nominated actresses like Michelle Yeoh, Viola Davis and Jamie Lee Curtis by mentioning their names in her performance.
While she wore a bright pink jumpsuit for her performance, the dress that DeBose wore on the red carpet – a bejewelled nude outfit by Fendi – had plenty of sparkles but left little to the imagination as it was almost entirely sheer, except for a skin-coloured bodysuit underneath.
DeBose later told Hammond she often never watches her performances back, as she gets “a bit judgy [about herself],” but was thrilled “the Brits loved it”.
Rapper Little Simz performed near the end of the show, along with special guest singer-songwriter Joan Armatrading – who showed off her impressive guitar skills live on stage – accompanying Simz in Heart On Fire.
Speaking after the performance, Simz said: “This is my first time [at the BAFTAs] and with the legendary Joan Armatrading… We have great chemistry on stage… When I was 17, I wrote a song called Joan Armatrading so it’s full circle.”
Singer Dylan performed Nothing Lasts Forever ahead of the show’s final four prizes, which helped bridge the gap between the pre-recorded majority of the show, and the final big gongs going out live – the rising star award, best actor and actress and best film.
Image: Olivia Newton-John died in August 2022
An emotional farewell
The In Memoriam section of the night is always emotional, but this year possibly even more than most with host Richard E Grant becoming visibly tearful as he introduced the section commemorating all the stars and filmmakers who died in the last 12 months.
Stars including Angela Lansbury, Burt Bacharach, Anne Heche, William Hurt, Leslie Phillips, Olivia Newton-John and Robbie Coltrane were all included in the segment.
Grant lost his wife Joan Washington, a dialect coach, in 2021.
Other stars in the audience who also looked visibly moved included Dame Emma Thompson, Martin Freeman, Naomi Ackie and the Prince and Princess of Wales.
Image: Cate Blanchett and Sandy Powell (R-L)
It’s all about the clothes
For the first time, a costume designer – Sandy Powell – took home the prestigious BAFTA fellowship award.
She dedicated her award to the first teacher who taught her how to sew and “to my mum, and mother’s everywhere”.
She did it all in a show-stopping black and white tailored ensemble, proving her win was well and truly well-deserved.
Alan Yentob, the former BBC presenter and executive, has died aged 78.
A statement from his family, shared by the BBC, said Yentob died on Saturday.
His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.
“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”
Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.
He was also the director of BBC drama, entertainment, and children’s TV.
Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.
Image: Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.
The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.
In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.
“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”
BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.
Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.
The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”
Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”
Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”
“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.
“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”
Image: Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear
The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.
Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.
Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.
With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.
Image: Pic: Steve Tanner/Black Bear
The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.
Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.
They set off with just a tent and two backpacks to walk the coastal path.
Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.
Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.
Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”
Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.
Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.
Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.
“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”
The Salt Path comes to UK cinemas on Friday 30 May.
A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.
Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.
Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.
Image: Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock
Image: Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock
She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.
Cinematographer Hutchins died following the incident, while director Joel Souza was injured.
Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.
Image: Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP
Involuntary manslaughter means causing someone’s death due to negligence, without intending to.
At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.
The 18-month sentence she was given was the maximum available for the offence.
Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.
The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.
Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.
Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.