‘I’m visually impaired, but I got to see my unborn baby’: Blind photography exhibition World Unseen features incredible ultrasound scan

Published

4 weeks ago

April 7, 2024

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Running her fingers over her scan for the first time, Karen Trippass could feel straight away that her unborn baby had her husband’s nose.

Born with bilateral coloboma, a rare condition also known as cat-eye syndrome, she never thought she would experience this pregnancy milestone in the same way that sighted expectant mums do, the excitement of seeing the shifting black and white shapes of a growing embryo appearing on screen for the first time.

It was something she missed out on while pregnant with her eldest daughter, Phoebe, 10 years ago. Questioned by medical staff and social workers on her ability to care for a newborn at that time, Karen says being visually impaired meant she was treated differently and she suffered from depression, finding it difficult to bond with her baby before her birth.

This time round, she was able to “meet” her baby through her 29-week ultrasound thanks to technology that creates a raised image, providing a tactile feel of her child wriggling in her womb. She says having this, and also being able to hear the heartbeat, helped her feel more connected.

Karen’s second daughter, Ruby, is now eight weeks old, and her scan hangs up at their home in Surrey.

“The first thing I remember noticing was her nose,” she says. “She’s got my husband’s nose. I could feel the top of her head, her nose, the dip of her eyes… I’ll always treasure it.

“Both my babies are IVF, it took us a long time to get there. So the whole thing’s emotional anyway, but then getting to see your baby like everybody else does… I just hope that every visually impaired woman who has a baby could get that opportunity.

“I don’t expect the NHS to be rolling it out, but even if you had to pay a minimal charge, I think a lot of people would prefer it. I just think it’s amazing, the concept of having family pictures from now on would be pretty cool.”

According to the NHS, there are more than two million people living with sight loss in the UK, with around 340,000 registered as blind or partially sighted.

Karen’s scan of Ruby was created by camera firm Canon, and is being featured as part of its new World Unseen exhibition, launched in partnership with the Royal National Institute of Blind People (RNIB) – “the photography exhibition you don’t need to see”.

Designed completely with the experience of blind and partially sighted people in mind, the exhibition features a series of pictures taken by world-renowned photographers, some who are visually impaired, accompanied with elevated prints, audio descriptions, soundscapes and braille.

For sighted people, traditional images are obscured in different ways to convey different types of visual impairment, from glaucoma to diabetic retinopathy. It is an insight into the difficulties faced by blind and partially sighted people, a challenge to see life through their lens, and a reminder of the vision those of us with sight rely on and take for granted every day.

At the launch event, even the canapes play with your senses – we are encouraged to put on headphones playing sounds of the sea, a scent spray filling the air with salt and vinegar, as fish and chip nibbles are presented.

Among the photographers whose work is featured is Ian Treherne, from Essex, who is known as the Blind Photographer. Born with the condition RP Type 2 Usher Syndrome, he has been deaf since birth and over the years has lost almost 95% of his sight.

“I hid my blindness for years,” he says. “I acted as a sighted person for a very long time. When I was growing up, disability was a very, awkward, difficult topic. Only my close friends knew about it. Then in my 30s, I sort of ‘came out’ as a blind person and it’s done me the world of good to be open and honest about it. And I think by doing photography and working alongside other people with disabilities, you can really improve the bigger picture among the general public.”

Ian says he has always been creative and photography allowed him to capture moments in time as he was losing his sight. But there was also a rebelliousness behind his desire to get behind the camera.

“I knew that doing photography and being blind was going to hurt some minds, hurt some brains,” he says. “I knew it would raise some questions.”

So he taught himself, practising with his camera and researching on the internet. “With the condition I’ve got, I have to work probably 10, 20 times harder than a fully sighted person,” he says.

“It’s all a learning curve. I think that’s really the biggest boundary in society, it’s changing the mindsets, or adjusting the mindsets. I think people are sometimes just afraid to ask the question.”

The World Unseen exhibition feature works from world-renowned photographers and Canon ambassadors from around the globe, including Brazilian photojournalist Sebastião Salgado, Nigerian photojournalist Yagazie Emezi, sports photographer Samo Vidic, fashion photographer Heidi Rondak, and Pulitzer-winning photojournalist Muhammed Muheisen.

A photograph from Kenya of the last male northern white rhino, taken by award-winning South African photojournalist Brent Stirton, also features. You can feel the roughness, every groove of the animal’s skin, as you run your fingers over the elevated image.

Photographs of Lioness Chloe Kelly’s decisive goal in the Euro 2022 final at Wembley, by Marc Aspland, are also on display, with an audio description reliving the moment of the win.

But Ruby, of course, is the star of the show, cradled by her mum in front of her scan. “It’s funny to think of people feeling Ruby’s picture but I love the idea that quite a lot of visually impaired people will feel what a scan picture is like, because I didn’t know what to expect,” Karen says.

“To have this memory, this opportunity to ‘see’ – I say see, or feel – my baby before she was born was awesome. And to have a record of it and get to show Ruby when she’s older, it’s so special.”

The World Unseen exhibition has opened at Somerset House, in central London, and runs over the weekend

Entertainment

Bernard Hill: Lord Of The Rings and Titanic actor dies aged 79

Published

14 hours ago

May 5, 2024

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Bernard Hill: Lord Of The Rings and Titanic actor dies aged 79

Actor Bernard Hill, who played roles in Lord Of The Rings and Titanic, has died aged 79, his agent has confirmed.

Hill also featured as Yosser Hughes in the iconic drama series Boys In The Blackstuff.

He was given a number of awards for his role as King Theoden in the Lord of the Rings trilogy and played Captain Edward Smith in the 1997 Oscar-winning film Titanic.

The actor was born in Blackley, Manchester, in 1944 and graduated with a diploma in theatre in 1970.

He was married to fellow actor Marianna Hill, with whom he shared a son. His agent Lou Coulson said he died in the early hours of Sunday.

Hill will return to TV on Sunday night starring in the second series of Martin Freeman’s The Responder.

Fans have already started to pay tribute to him on social media.

Scottish musician Barbara Dickson wrote of their time working together: “It’s with great sadness that I note the death of Bernard Hill. We worked together in John Paul George Ringo and Bert, Willy Russell marvellous show 1974-1975.

“A really marvellous actor. It was a privilege to have crossed paths with him. RIP Benny x.”

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Entertainment

Madonna plays biggest-ever show to 1.6 million fans on Rio’s Copacabana beach

Published

16 hours ago

May 5, 2024

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Madonna plays biggest-ever show to 1.6 million fans on Rio's Copacabana beach

Madonna has played her biggest-ever gig to an estimated 1.6 million people on Copacabana beach in Rio de Janeiro.

It was the last show in her Celebration tour and she performed hits such Like A Prayer, Vogue, Hung Up, Into The Groove and Like A Virgin.

The Brazil city was buzzing ahead of Saturday’s free two-hour show, with hotels and Airbnb’s packed and about 170 extra flights expected into the city.

Helicopters and drones buzzed over the beach as the Queen of Pop took to the stage at 10:37pm, nearly 50 minutes late.

“Here we are in the most beautiful place in the world,” Madonna told the crowd as she pointed out Rio’s famous mountains and Christ the Redeemer statue.

The 65-year-old opened up with Nothing Really Matters from 1998’s Ray of Light album.

Eighteen speaker towers were dotted along the beach to ensure everyone could hear the US star’s vocals.

Brazilian musicians and people from local samba schools were involved in the show – with many fans dressing up in Madonna-themed outfits.

“Since Madonna arrived here, I’ve been coming every day with this outfit to welcome my idol, my diva, my pop queen,” said Rosemary de Oliveira Bohrer, 69, who wore a version of Madonna’s iconic gold cone bra.

Many fans had staked out a spot many hours – or even days – before the show, while others took in the spectacle from yachts or apartment balconies.

Madonna’s website said it was the biggest she had ever done – more than 10 times the 130,000 she played to in Paris in 1987.

However, Rio is used to huge shows – The Rolling Stones and Rod Stewart have played to similar-size crowds there.

Thousands of police were on duty for Saturday’s show, which city authorities estimated drew a crowd of 1.6 million and would earn the local economy about 293 million reals (£46m).

For Madonna, it was the culmination of an 81-date retrospective tour that began in London in October and moved across Europe and North and South America.

The singer embarked upon the tour a few months after being admitted to intensive care with a serious bacterial inaction in June 2023.

Entertainment

Olly Alexander addresses ‘extreme’ remarks from fans on Israel’s Eurovision inclusion

Published

19 hours ago

May 5, 2024

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Olly Alexander addresses 'extreme' remarks from fans on Israel's Eurovision inclusion

The UK’s Eurovision Song Contest representative has addressed “extreme” remarks from fans over Israel’s inclusion in the competition.

Olly Alexander was selected as this year’s representative for the UK for the popular singing competition.

It’s set to take place in Malmo, Sweden, next week but tens of thousands are expected to protest Israel’s involvement and its ongoing war in Gaza.

Alexander, the Years & Years singer, has found himself facing criticism from some who called for him to withdraw amid the ongoing war between Israel and Hamas.

Queers for Palestine circulated a letter, signed by thousands including actors Indya Moore, Brigette Lundy-Paine, and Maxine Peake calling for the It’s A Sin actor to pull out of the show.

In March, along with Irish hopeful Bambie Thug, Danish entrant Saba and other Eurovision artists, Alexander released a joint statement, backing “an immediate and lasting ceasefire” but refusing to boycott the event.

Now, speaking out in a new documentary which has followed the 33-year-old as he prepares for the show, he has described some of the comments he and other participants have faced as “very extreme”.

He said: “A lot of the contestants and myself have been having a lot of comments that are like ‘You are complicit in a genocide by taking part in Eurovision’ which is quite extreme. It’s very extreme.

“I understand where that sentiment is coming from but I think it’s not correct.

“It’s an incredibly complicated political situation, one that I’m not qualified to speak on.

“The backdrop to this is actual immense suffering. It’s a humanitarian crisis, a war.

“It just so happens there’s a song contest going on at the same time that I’m a part of.”

Speaking in the BBC’s documentary titled Olly Alexander’s Road To Eurovision ’24, he continued saying that people should boycott Eurovision if they didn’t feel comfortable watching and he respected their decision – but would be taking part himself.

He added: “My plan is to just focus on putting on a good performance in Malmo.

“My team, everyone’s worked so hard, and we’re in the final stretch now.”

Earlier in the week, Alexander broke down crying during an interview with The Times when discussing the pressure he had come under for participating in Eurovision.

He told the paper he knew a number of signatories of the petition against him, and none had reached out to him.

He said: “This is so much bigger than me and Eurovision, it really is. But, obviously, I wish there wasn’t a war or this insane humanitarian crisis.

“I wish for peace and I have found this experience, at times, extremely … I’ve just felt really sad and distressed.”

Speaking on Sky’s Sunday Morning with Trevor Phillips, deputy director general of the European Broadcasting Union who organises Eurovision, Jean Philip De Tender, defended Israel’s inclusion in the competition.

He said: “We do understand the concerns and deeply held views around the war in the Middle East.

“The song contest is a music event organised and co-produced by 37 public broadcasters, it’s not a competition between nations or governments.

“Our governing bodies reviewed the participation of Kan [Israel’s public broadcasting corporation] and found that they met all of the competing rules.”

Phillips pointed out incidences when Kan came under fire for their broadcasting.

This included, he said, when Kan published a video of children singing, in the public broadcaster’s own words, for the “annihilation of Gaza” and when one of their presenters was seen writing “I want to send the people of Gaza artillery shells”.

Mr De Tender said they had been in contact with Kan about the content they published and their editorial output, and had expressed concern on occasion.

He added that Eurovision had competition rules which they had to follow, and taking action beyond these rules to exclude Kan would have been a “political decision as such which we cannot take”.